Decorating & Design - Inside Design

Inside design: Ray Staples

The late, great Canadian interior design icon Ray Staples had a signature style that remains timeless to this day. Designer Michael Penney reflects upon her no-holds-barred approach in this Oshawa, Ont., home.

Ask me what my favourite colour is and I’ll tell you it’s green. Ask me why and I’ll tell you that the reason is Ray Staples. When I was 12 years old, watching Home Day on Citytv’s CityLine with Marilyn Denis, a woman in the audience asked that day’s guest, Ray Staples, what colour she should paint her room. “Honey, if you can’t decide which colour to go with, use green,” Ray answered flatly. “God used it everywhere and if it’s good enough for him, it’s good enough for you.” Genius, I thought. And green has been my colour ever since.

I’m not the only young designer who has been influenced by the great Ray.  For years, in big ways and in small, she has left her mark on the Canadian design scene, splashing its sometimes-bland landscape with every colour of the rainbow in homes both humble and highbrow. One such example of her inimitable style exists still unaltered after 30 years in the Oshawa, Ont., home of Marilyn and John Sciuk. As a young married couple, they had approached the designer to decorate their first home – a suburban box in need of panache. With a tip of her trademark wide-brimmed hat, Ray set about adding grasscloth, mirrors, zebra print and marble to create a space that was comfortable, sophisticated and anything but box-like and boring.

Thirty years later, the couple’s suburban living room still feels like a New York City apartment wrapped in warm, textural grasscloth wallpaper. Floor-to-ceiling mirrors break up the long wall, adding glamour and sparkle. And the room’s pièce de résistance – the bold zebraprint sofa – adds contrast and raw energy. Next to the sofa, a pair of traditional bèrgere chairs are upholstered in a slubby silk that mimics the wallpaper’s texture.

Balancing drama and sophistication, Ray allowed for statement pieces, such as the sofa, to take centre stage while supporting characters, like the sidechairs, side table and rug, recede. The artwork – a colourful flutter of butterflies encased in a Lucite frame – was the homeowner’s pick but received Ray’s coveted thumbs-up because thedesigner herself was so often inspired by nature.

Ray’s natural inspiration is evidenced in the dining room’s earthy elements: a chandelier of shed antlers and a deep green marble table. The black lacquered Chinese Chippendale chairs stand out against the ornately carved antique sideboard. Rough with fine, high with low, new with old, these disparate elements combine to create Ray’s signature mix.

Three decades have passed and the Sciuks’ home more than stands the test of time. Classic forms, unexpected combinations and a few bold gestures assemble to define a space that is inviting and inspiring, speaking to the legacy of this designer who knew no limits.

Click here to see how Ray Staples designed this home.


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