We've scoured the Instagram of Meghan Markle, actress and girlfriend to Prince Harry, and rounded up the 'grams that give us a glimpse into her abode.
When she's not playing Rachel Zane in Suits or roaming around London with a prince in tow, Meghan Markle can be found in a soothing Scandi-inspired sanctuary that she calls home. From white textiles to fluffy throws, vintage-inspired accents to vases of colourful blooms, Meghan's created a cozy retreat perfect for playing with her pups, working on her site The Tig, and, presumably, enjoying some paparazzi-free time with everyone's favourite ginger prince.
White sofas, a tan throw, black and white pictures and white orchids keep her living space cool and calm.
One of photographer Gray Malin's cult-favourite photos of a beach hangs on her wall, and the umbrellas in the photo are complemented by the colourful blooms on her marble table.
Marble subway tiles line the walls in Meghan's bathroom.
Neutral walls, neutral curtains and neutral seating is the theme throughout Meghan's home.
Aside from the gorgeous blooms that are placed on many of the tabletops in Meghan's home, beautiful books are also scattered about.
By Meghan's bedside, Grace Coddington's book "Grace: A Memoir," a scented candle and bright pink peonies.
Meghan's love for pretty books and blooms continues—she teams black and white books, photos and accents with cheery pink blooms on a rustic wooden table.
A vintage-looking windowpane mirror lends a whimsy element to Meghan's all-white bedroom.
White furry throws can be found swung across many chairs in her home.
White linens, a simple wooden bedframe, a tan throw and black and white artwork complete Meghan's bedroom.
A gold vintage-inspired mirror, tall potted plants and standard Scandi must-haves lend an eclectic hand to her living space.
Colour-coded piles of books are topped with succulents in her bedroom.
An animal-skin rug and antlers on the wall give this room a Scandinavian feel.
The best part of Meghan's home? Her two roommates: Guy and Bogart.
Recipe: Caramelized onion and apple mashed potatoes
1 To caramelize the onions, remove the outer skins and slice into ⅛"-thick slices. Heat the olive oil in a large saute pan over medium heat and add the garlic and sliced onions. Cook for 5 minutes, stirring frequently, until the onions have reduced in volume; add the sugar. Continue to cook gently for 35 to 40 minutes, stirring occasionally to scrape up the browned bits from the bottom of the sauté pan and incorporate them back into the onions. Watch carefully to avoid burning – when the onions are a rich
golden caramel colour, remove from the heat and reserve.
2 Meanwhile, peel the potatoes and apples and cut into 2" chunks, discarding the apple cores. Place in a large pot with the salt and cover with cold water. Bring to a boil over high heat; simmer gently until the
potatoes and apples are fork-tender, about 30 to 40 minutes. Drain the potatoes and apples in a colander; allow to steam dry for 1 to 2 minutes. Put through a ricer until smooth or return to the hot dry pot and mash with a potato masher.
3 Heat the milk, cream and thyme in a small saucepan over medium heat. Allow to steep for 5 minutes and then stir into the potatoes along with the butter and reserved onions. Season to taste with salt and pepper; serve
Prep and cook time: 1 hour.
Serves 6 to 8.
Image: Stacey Brandford / Styling: Morgan Lindsay
Designer Maggie Burns revises the layout and lightens the palette of her rowhouse to make it feel remarkably roomier.
People love to complain about stairs. "My knees are shot – let's move to a bungalow," they grouse. But not Maggie Burns. I longed for stairs and a lawn," says the energetic 28-year-old designer and Toronto native. The sentiment is completely understandable when you consider she was living in one of those New York City apartments that are so cramped, you practically need a folding toothbrush.
That was 2015, and Maggie had just completed a one-year degree at the esteemed Parsons School of Design and was moving back to Toronto – all while simultaneously launching her own design firm, Maggie Richmond Design. One of the newly minted graduate’s earliest clients? Herself.
She had just purchased a charming century rowhouse in the hip Trinity-Bellwoods neighbourhood near Nadège, a French bakery and a favourite haunt (this girl has her priorities straight). “When I first saw the house, I fell in love with its location and its potential,” says Maggie. “But there was a lot of work to do! The home’s layout didn’t lend itself well to its narrowness.”
At only 10 feet wide and just shy of 1,200 square feet, the two-storey house was palatial by New York standards, but small if Maggie wanted to stretch out and entertain friends. Just the same, it had good bones – and, best of all, the stairs she so desired. The only problem was their location. “They were encased in drywall, so they looked heavy, and they were in the middle of the main floor, taking up almost a third of the space,” she recalls.
Plus, the stairs divided the dining and living rooms into two tiny boxes. So Maggie embarked on a six-month renovation to create a breezy open-concept space. She brightened the home and made it feel spacious with crisp white walls (in place of busy textured wallpaper) and light grey engineered wood floors (replacing dark cork).
In an ambitious effort that ended up costing nearly half her budget, Maggie tore down the staircase and replaced it with a stylishly streamlined version installed at the side of the living room. “The dramatic floating stairs became the focal point,” she says. The new steps also connect to the finished basement – previously a rental apartment that could only be accessed from an outside door.
To accommodate the change, Maggie also reconfigured the second floor, removing a third bedroom and inadvertently exposing a skylight over the stairs. "I've been told it's not a good idea in terms of resale to remove a bedroom, but I had to make way for the stairs," she says. Today, the skylight floods the main floor with light and, together with pale new floors, lends the illusion of more space, making this home an even further cry from her old cramped NYC quarters.
Though small and located at the front door, the living room feels open and airy because of the ultra-edited furniture selection. A low-slung armless sofa, portable wooden side chairs and a small angular side table keep things uncluttered and ease traffic flow.
The galley kitchen was in great shape when Maggie bought the house, so she left it intact. It came with high-end appliances and pretty crystal knobs on the doors. “I kept the original subway tile that runs along the walls, and added pendants [not shown] and pot lights for additional lighting,” she says.
Though it cost 40 percent of Maggie’s overall budget, relocating the staircase made a 100 percent improvement to her home’s layout.
Maggie nearly replaced the dark-hued front door, but decided to keep it after seeing how charming it looked in the space. Her dad created a stained glass window for the transom. “Its copper trim matches elements throughout the main floor,” she says.
A graphic punch of black in the quartet of retro Tulip chairs is emphasized by the splashy artwork. The mirror bounces light around the space and picks up the sheen in the soft grey floors.
A combined washer-dryer in the galley kitchen makes doing a quick load of laundry super convenient.
Relaxation reigns in the subdued bedroom, where a quilt and watery-hued toss cushions suggest a catnap. A glass lamp and monochromatic artwork keep the visual clutter at bay.
Maggie pulled together a light-filled office nook just outside her bedroom. The glossy streamlined desk, slatted rubber chair and casually leaning artwork create an understated vignette. The desk also serves as an extra drop-off spot for her laptop in the evenings – a smart reminder to maintain serene sleeping quarters and keep work separate.
A floating vanity and clean-lined mirror show off the Carrara marble floor and shower wall in the master bath. “Because I don’t have a lot of space – roughly 41 square feet – I had to be careful about the scale of each component,” says Maggie. The pared-back elements lend a serene quality. “It’s my favourite spot in the house,” she adds.
Despite all her hard work, Maggie recently sold her belove rowhouse to move in with her fiancé. And just in case you're curious, the resale value wasn't affected by the removal of a bedroom. To bring even more appeal to the home for the sale (which happened to coincide with our photo shoot), Maggie hired design firm Modern Staging Spaces to help her accessorize . Her house sold in a flash. With style like this, how could it not?
Image by: Donna Griffith | Styling: Christine Hanlon
Hushed tones and plenty of natural light make for a dreamy retreat
When these newlyweds ditched their condo for a house — as so many do — they set their sights upon Toronto’s leafy Summerhill neighbourhood , which they admired for its older homes. The couple found a 2,290-square-foot four-bedroom semi built in the 1930s that fit the bill in terms of age and locale, but it hadn’t been touched since the ’80s.
“It was so dark,” says one of the homeowners, referring to the interior, which was coated in dowdy browns and suffering from tiny rooms and windows, as well as a gloomy kitchen partitioned from the rest of the house. “We needed more light and a large kitchen for my husband, who loves to cook,” she says. Simply put, the house was hardly what you’d call a love nest. So the homeowners enlisted Croma Design’s Ryan Martin and Amy Kent to give their starter house a style transfusion.
“We wanted to create a classically inspired backdrop with clean-lined furnishings and art,” says Amy. The homeowners didn’t want to go too stark or too stuffy, so they settled on a transitional look with bold lashes of black and modern furnishings boasting traditional details. And, of course, they addressed the cramped spaces and lack of light.
To that end, the designers reworked the layout, removing the powder room, relocating the kitchen and expanding the windows at the front and back of the house. “We opened everything up so the light emanating from the new windows and existing skylight would stretch further,” says Ryan.
As for the finer details, near-black accents add striking drama against the palette of soothing greys, blues, browns and whites. “The colours in this home are very subtle, tone-on-tone and easy to live with,” says Amy. “We wanted the house to make an impact as a whole – not for any particular wall or accent to stand out above the rest.”
Whether the homeowners are upstairs lounging in the relaxed media room or downstairs sipping tea in the more formal living area, there is indeed a clear sense of cohesion, which is a hallmark of this home — and what makes it a far cry from its gloomy beginnings.
A dynamic explosion of hexagonal and subway tiles gives the third-floor bathroom edge. The contrasting grout as well as the blackened metal fittings, chair rail and sconces look sharp against the white backdrop.
Watery blues and greys lend a serene painterly feel to the tranquil second-floor family room.
The long and linear print of birch trees (with hand-applied copper leaf) echoes the shape of the low-slung sofa, which is clean-lined to suit the quiet space.
“I loved being able to customize the house to our needs,” says one of the homeowners. “My husband really loves the new kitchen.”