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Modern West Coast kitchen
A gutsy renovation decision affords these Vancouver homeowners a highly functional, modern kitchen.
An open floor plan; rich wood finishes; a sleek, casual look: These are the hallmarks of the West Coast modern style that Sally Parrott and Erik Berg wanted in a new home for their family of five. But given their neighbourhood of choice – Vancouver’s Mount Pleasant area – they realized they’d have to renovate top to bottom to get it. “Our options were older character-filled homes with not enough space, or poorly renovated houses,” says Sally. “We ended up buying the ugliest house on the street, literally,” she adds, dubbing the then four-apartment home the “1994 pink palace.” The solid structure had the flexibility and spaciousness the couple needed to turn it into an open-concept wonder with a welcoming, organized kitchen at its heart.
A boxed-in layout.
Take drastic measure to create an open-concept main-level floor plan. Budget breakdown Materials = $33,310 -Millwork (cabinetry) $25,000* · Countertops $6,000 -Backsplash tiles $545 -Floor tiles $1,130 -Cabinetry hardware $635 Electrical/plumbing = $10,000 Appliances = $26,755 -Refrigerator $12,300 · range $9,000 -Range hood $2,150 -Microwave $420 -Microwave trim kit $330 · Sink $1,870 -Faucet $685 Total cost = $70,065 (excludes design; *includes labour)
The hefty walnut kitchen island with room for three and a matching pantry ground the white cabinets and quartz countertops. “I wanted quartz for ease of care,” says homeowner Sally Parrott, “but I was surprised to learn it wasn’t that much cheaper than marble.” Some savings were found in the porcelain floor tile that looks like cement.
It’s one thing to gut an entire home, but it’s another to move the kitchen to the opposite side of the house, knock down a structural wall and close up a window. Yet that’s just what Jamie Deck, designer and director of Shift Interiors, advised. The couple was torn over the increased costs, but in the end couldn’t argue with spatial logic. “It allowed us to open up the whole layout,” says Jamie.
The first big choice came in the minimalistic low-sheen white cabinetry. Sally wanted a style without fussy profile edges. But Erik, whose taste runs more traditional, was concerned the kitchen would read too stark. Enter the warm-toned richly grained walnut island (topped with quartz), pantry and floating shelf. “I wanted high-quality materials that would stand a lot of wear and tear, knowing we would spend a lot of time here,” explains Sally.
“We’re thrilled with the outcome of the kitchen. It’s the happiest room in our home,” says Sally.
Adding a pop of colour with a floral arrangement is a great way to keep any space bright and cheerful.
Get creative with your counter space. There are lots of stylish ways to display counter-worthy kitchen accessories.
Buying guide: The truth about thread count
Is there anything better than sliding into a bed laden with good quality sheets? At the end of the day, I can't wait to stretch out under my fresh, soft covers and nestle my face into a good cotton-covered pillow. We spend a third of our lives in bed so quality sheets are key, but how do you get quality for your money? There's no doubt that most consumers believe the higher the thread count, the better the quality, but this isn't entirely true. With the help and expertise of Joanna Goodman, owner of Au Lit Fine Linens, we expose the truth about thread count and what it takes to find quality bed sheets.
What is thread count, really?
Simply put, thread count is the number of threads woven into one square inch of fabric. This number is based on the threads woven horizontally ("weft") and vertically ("warp"). Extra threads can also be woven into the weft threads to increase the thread count. These added threads are called "picks" and are added in the overall count, which is how some sheets end up having thread counts in the thousands. This is why the idea that high counts equal better quality isn't really accurate. Consider this: Joanna says most weavers will say the maximum number of threads that can be woven into one square inch of fabric is 500 to 600. Though the number is arguable and, according to Joanna, "depends on the mill you deal with," it gives you an idea of where the line is between single-ply, unpicked weaves and ones that add threads here and there to bump up the count.
What to look for when buying sheets
Joanna lists three things to look for on the label: if it's Egyptian cotton, where it's woven and, lastly, the thread count. While thread count is a bit misunderstood, the buzz around Egyptian cotton is true. "The very best cotton in the world is grown in Egypt. So Egyptian cotton will be of a better quality," Joanna says. She also recommends pima cotton, which is grown in America, "though not quite as exceptional as Egyptian." When it comes to weaving, however, she swears by the Italians as being the "master weavers of the world" due to their "long tradition of weaving" and use of the best Egyptian cotton. Be sure the label says 100% or pure Egyptian cotton though, otherwise it may only contain a small percentage of the good stuff. As for the thread count, look for a minimum of 200. From there, it's all about preference!
What to avoid when buying sheets
Joanna's one key piece of advice is to watch out for extremely low priced, high thread count sheet sets. A complete sheet set with a high thread count for $100 or less is probably not the dream bargain you think it is. As Joanna believes, "you always get what you pay for." The price tag for bed linens will vary depending on the sheet size and what items you're buying, such as a duvet cover, sheet sets, or pillowcases. "A superior quality 200 thread count queen set (including flat, fitted, two pillowcases), made of Egyptian cotton and woven in Europe, could retail reasonably for about $150-$250," says Joanna.
What do you prefer?
After going through the quality checklist, go with what feels best for you. If you're looking for a durable linen, Joanna recommends any percale from thread count 200 to 800. Percale is any cotton woven with a 200 thread count or higher and will be more durable than a cotton satin of the same thread count. It's also less likely to pill than cotton satin because it has a denser weave. Love the feel of a cotton button down shirt? Joanna advises a crisp, dense 200 thread count percale. Prefer a silkier sheet? Go for a 300 to 600 cotton satin. If you want lighter sheets, Joanna says, a 400 thread count sheet can be soft and light, while an 800 percale would be soft and dense. The higher the thread count, the more likely multiple-ply thread is used or picks are added, making the fabric denser and heavier.
Now you know that quality is not just about the number, so don't let numbers rule your bed! Remember what to look for on the label and be wary of too-low prices for supposedly high quality items. Beyond that, go with what you prefer. Get a good feel of the sheets before buying. Whether you're unzipping the packaging or lying down on a display bed, make sure the fabric feels good against your skin and soon you'll be having sweet dreams!
Find out how to keep your new linens crisp and clean with our tips to whiter-than-white sheets.
A kitchen boasting restaurant-design pedigree
Trendy meets traditional in this family home built from scratch.
Homeowner Tanya Krpan (pictured here) saved on accessories by loading the family room sectional with an assortment of ready-made toss cushions.
Tanya isn’t afraid to play with negative space, as seen in the home’s grand entryway. “Normally, you’d expect a mirror or big piece of art hanging above the wainscotting,” she says. Leaving the wall blank and layering small pieces on the console allows the millwork to shine.
Black casement windows and decorative accents create contrast in the neutral space. Tanya scored the vintage coffee table when her office was being redecorated.
The family room’s classic-cool mix feels right for a young family.
The kitchen, of course, is the true star of the show. Tanya’s restaurant-design pedigree shines through in the room’s floor-to-ceiling tiles, mix of open and closed storage and high-end appliances. She opted for white Shaker-style cabinetry and warmed up the space with a walnut island and brass hardware statement lighting and fixtures.
Another bistro-inspired touch was her choice of dark honed-limestone tiles for most of the main floor. “The tile grounds the space since there’s an abundance of white everywhere,” Tanya explains. “And it’s proven great for hiding dirt.”
Everything in the Krpans’ home is designed for everyday life and entertaining, from the large sectional in the family room to the round tables in the dining room and the kitchen’s eat-in area. “It’s more social to sit at a round table,” says Tanya. “You see everyone’s faces.”
Cabinets with glass doors allow Tanya to display her favourite serving pieces and special glassware. She had the back of the kitchen cabinets tiled to highlight this focal point of the kitchen.
Tanya and Jure – with their sons, Ivan, 3, and Cruz, 2 – have recently welcomed a baby girl named Belle.
The living room’s crisp white, grey and black scheme gets an energy boost from fresh greenery, pops of pink and plenty of pattern – check out the Moroccan-style rug, the ikat-print and chevron-patterned toss cushions and the graphic stool fabric.
To offset the costs of the more expensive permanent elements, Tanya was meticulous with her decorating budget. She incorporated secondhand pieces, such as the family room coffee table, and sourced inexpensive art for the living room mantel. Affordable colourful accessories add youthful edginess to the living spaces. “I love the femininity that the splashes of pink add to the living room and family room,” she says. “Plus, by the time I got to the decorating, I was living with three boys!”
In the dining room, Tanya likes the juxtaposition of the modern Sputnik-inspired chandelier with the traditional coffered ceiling. The artwork was a DIY project Tanya and Jure painted together on her 30th birthday.
Though this house has been well loved for years, there’s a sequel in the works: Tanya and Jure are in the process of building a new home. “We’ll keep some of the same elements but go a little more modern in the kitchen,” says Tanya. We’ll definitely stay tuned.
A cabin in the woods becomes one family's dream vacation home.
One designer helps a B.C. couple achieve the vacation home of their dreams.
We didn’t have to knock down walls. We had to put them up – and that almost never happens,” says designer Dan Vickery on the transformation of this small cabin on Hornby Island, B.C. A project he took on as one of the hosts of W Network’s new show Love It or List It Vacation Homes, the cottage was far from complete. Homeowners Jim and Lauren Wolf (he’s a city planner, historian and author; she’s the executive director of a not-for-profit organization) purchased the 700-square-foot space on a whim in 2005, and for the next 10 years, the New Westminster, B.C., couple spent vacations lovingly updating and expanding the cabin to suit their family, which includes 16-year-old son Griffin, Felix the Jack Russell terrier and Loonie, “a fat and fussy ginger tomcat.” They raised the existing structure and set it on a new concrete foundation; flipped the blue-stained siding to reveal its natural cedar finish; and added an Arts and Crafts-style porch to suit the artist-populated island. And they didn’t stop there: Jim and Lauren continued to enlarge the cottage, incorporating a full kitchen, extending the main-floor master bedroom (“so it could actually fit a queen-sized bed,” he says) and building a second level for more bedrooms.
“Jim is an artist at heart,” says Dan. “And while he’s great at starting projects, he’s not so great at completing them. When I entered the scene, the only finished rooms were the kitchen, bathroom and living area.” But, Dan clarifies, the flooring was mismatched, and the bathroom had an exposed water heater at its centre. In addition, the master bedroom had no insulation, and the entire upstairs was built only to the studs. The challenge – made even more difficult by the fact that the island is three ferry rides from mainland B.C. – may seem daunting to most, but Dan was in his element. “This was a fun project,” he says. “We just had to fix some construction issues and put up some walls to define the upstairs bedrooms.” (Ha! “Just.”)
“The hardest part,” says Dan, “was hunting down unique items that would speak to the character of the cabin, its artful setting and, especially, Jim and Lauren themselves.” Of the couple’s established style, he adds: “Every part of this place has a story. There are pieces from different vintage shops they’ve visited or vacations they’ve taken. There’s a sense of love and warmth as soon as you walk in.” So to continue the welcoming atmosphere, Dan sourced a lot of items from the Free Store, a Hornby Island spot where people can adopt others’ donated goods and building materials at no cost. It’s where Dan located stuff like the sheet metal (used as a textured wall treatment in Griffin’s room) and salvaged barnboard (turned into a herringbone headboard in the master bedroom, not shown).
The strategy was a success, because when it came time for Jim and Lauren to decide whether they’d keep this freshly renovated cabin or buy a new place (the premise of the Love It or List It franchise), it was a no-brainer: “The other properties couldn’t match the sweat equity that we had already invested and would never have our history so entwined in every corner,” says Jim. “This cottage is a part of our family’s story.”
This cabin may be three ferry rides away from where Jim and Lauren Wolf reside in mainland B.C., but designer Dan Vickery brought the homeowners closer to their ideal vacation property than they could have dreamed.
“Sometimes all that’s needed to define the different areas of a great room is a little bit of extra breathing space in between,” says designer Dan Vickery of the small open-concept main floor that features a living room, dining area and kitchen. In a clever twist on tradition, Dan used a basket as a shade for the dining room pendant light.
The light-filled living room was one of the more finished areas of the cabin when Dan arrived on the scene. Apart from the flooring and a few blue accessories (“I love that the homeowners weren’t afraid of colour,” he says), almost everything else here stayed the same.
The mud room/ laundry room boasts a washer and dryer, open and closed storage and a bench for pulling shoes on and off. It even conceals the ugly water heater that was once exposed in the bathroom (just beyond that white door). “Since the area is open to the main living space, it had to look good,” says Dan. “The result demonstrates how design can be beautiful and functional at the same time.”
“If a client tells me they’re not afraid of colour, I’m going to give it to them,” says Dan, who incorporated bold hues, such as the rusty orange of the master bedroom’s tufted armchair, throughout the house.
The homeowners’ teenaged son, Griffin Wolf, was so thrilled to finally get a place of his own: Until now, his bedroom was just one big unfinished space. “There was no sense of privacy,” says Dan. “Griffin’s room was open to the living area below.” An old paddle offers creative wall art that’s perfectly fitting for Hornby Island, which attracts both artsy and sporty types.
Demarcated by new walls, Griffin’s bedroom is positioned behind this little loft area, which is open to the downstairs living room. The cheerful space features a lounger (not shown) that unfolds into a small bed for guests wanting to spend the night, as well as this tiny office nook for anyone who has extra work to complete.
While a shiplap-look treatment lends texture to three of the walls in Griffin’s new room, corrugated metal roofing provides interest on the fourth. “Colour is obviously critical to great design,” says Dan. “But every space should take a good black and white picture as well, because when you take colour out of the equation, texture is what’s left to analyze.”