Take a tour of this cabin-in-the-woods style home.
Image by: Carina Olander
An affinity for the outdoors inspired this Swedish couple to create a bright and snug home with a cabin-in-the-woods vibe.
Karin Nilsson and Kristoffer Green live in a cozy, light-filled 1,600-square-foot home on Sweden’s Gotland island with their baby and dog. The couple carefully chose this house near the village of Hemse as much for its proximity to the Baltic Sea as for its nearness to amenities like schools and recreational facilities. Since moving here, Karin and Kristoffer have created a warm and inviting space, complete with white-painted gypsum plaster walls, black window frames and whitewashed herringbone floors, and outfitted it with natural materials and family heirlooms. Here are the top takeaways from this rustic retreat by the sea.
Nestled beside the fireplace of this Scandi-rustic home is a built-in nook holding firewood. It lends warmth and texture to the white wall and is always stocked to help heat up cool nights spent relaxing on the sofa.
Bright and white with doses of black and organic touches, the entryway sets the decorative theme for the rest of the house. The homeowners cleverly repurposed found items into functional organizers, such as the wooden pallet that was transformed into a radiator cover and the drapery rod they converted into a coat rack using rope and hooks.
Homeowners Kristoffer Green and Karin Nilsson (pictured) make the most of their rural locale, whether they’re sourcing food from the nearby farmers’ market or heading to the beach for a long walk with their dog.
The kitchen’s clean-lined IKEA cabinetry is complemented by edgy industrial accents like the pendant lights and stools. A wooden tongue-and-groove backsplash adds a rustic element that’s in keeping with the rest of the home.
The dining room demonstrates Karin and Kristoffer’s knack for blending old and new, using natural materials and creating interest by contrasting black and white elements. Here, inherited pieces sit alongside secondhand finds and newly purchased accessories and artwork, while the black-painted window frame draws the eye to the exterior view.
The space’s white and black envelope is softened with natural materials, such as wood, stone, leather and hemp. In the dining room, a gnarled branch leaning against a wall looks like an effortless organic sculpture.
Image: Donna Griffith / Styling: Ann Marie Favot
A black and white palette, square-tiled backsplash, shaker-style cabinetry and iconic furnishings blend perfectly in this modern and traditional space.
Armed with a wishlist a mile long, Toronto homeowners Meghan Mann and Mike Shannon took the renovation plunge last year. With the help of designers Vanessa Kwan and Ingrid Oomen of Qummunicate, they transformed their dysfunctional, dowdy kitchen into a stylish dream and fit everything they wanted into its compact 198-square-foot space. The open-concept design now features a work station, an eat-in nook and a peninsula that overlooks the dining area. Its classic-chic look with a contemporary edge not only complements the young couple’s style but also suits the 1910 house’s traditional architecture and its up-and-coming west Toronto neighbourhood’s trendy vibe.
Opening up the 11-by-18-foot kitchen to the rest of the main floor and replacing the back wall with a glass-panelled door and sidelights were the first steps in creating a more airy and light-filled space. The kitchen has a timeless aesthetic, with Shaker-style cabinetry, classic architectural details and a neutral palette, while a few of-the-moment touches, such as the brass hardware and pendant lights, keep it hip. “It’s a brick house with traditional details like beams and mouldings at the front, and we wanted to carry that essence into the kitchen,” says designer Vanessa Kwan.
A banquette serves as part of the casual eat-in area for the couple and their children, Sadie, 6, and Spencer, 2. It features storage in the form of legal-sized filing cabinets, with flush brass pulls that don’t get in the way of dangling feet. Finding a table that fit the space proved challenging, so homeowner Mike Shannon built the base himself and had a piece of glass cut for the top. The Eames chairs are a classic pick, and the chandelier provides sparkle and blends in with all the brass.
The kitchen was designed with family-friendly functionality top of mind: The white quartzite countertops are aesthetically similar to marble but are more durable and require less maintenance; the six-inch-square ceramic tiled backsplash, with its grey grout, is easy to keep clean; and the cork floors are great for kids because they’re soft underfoot and don’t scratch easily. For homeowner Meghan Mann, who works in software sales from home, the desk area (with a lower counter and two pencil drawers) was a must.
The black faucets and window frame above the sink create contrast yet establish continuity with the black-painted door at the back of the room. The dark elements, offering the kitchen a slightly industrial edge, are also a nod to the neighbourhood’s commercial architecture. “The area has a lot of old factory buildings, some converted into lofts or artists’ spaces,” says Meghan. “And they have those steel windows, so we wanted to echo that look in the kitchen.”
Curvy iconic shapes and trendy accents make this kitchen down-right covetable.
Round wood and marble serving board, Indigo, $38.
Michael Thonet beech era stool in Black, Design Within Reach, $365.
Cotton Soiree toss cushion in Natural with feather-down insert, CB2, $63.
Jason Wu for brizo mixed metal solna faucet in Matte Black, Masco Canada, $611.
Brass and glass Luna pendant light with shade in Clear, 12", Schoolhouse Electric, $269 US.
Cowhide Koldby rug in Brown, IKEA, $299.
Image: Stacey Brandford / Styling: Christine Hanlon
Nest maker, know thyself. Here’s how one designer used self-reflection and simplicity to do up her Toronto Victorian.
“There are thousands of inspiring ideas out there,” says designer Melanie Hay, referring to the wellspring of online home decor images, blogs and shops. “You can literally research for months. But in the end, the best design is born of self-discovery. The more you understand who you are and how you live, the better the odds that the rooms you create will be rooms that you love.”
Melanie should know. When she and her husband, Andrew, an entrepreneur, purchased a tall, narrow Victorian in Toronto’s Annex neighbourhood about four years ago, they were two people without a plan – but with about 3,000 square feet of empty space. Needless to say, to a designer like Melanie, this blank canvas meant instant inspiration overload. “My mind was swimming with decorating schemes,” she recalls. “Deep down, though, I knew Andrew and I are nesters, and when we walked in the door, we would want to come home to a space that echoes our life stories.” This is where her approach to decorating the house started.
But it was not as easy as it sounds. “From the beginning, I had to acknowledge that Andrew and I don’t share the same taste,” she says. Melanie loves white; Andrew prefers dark wood. Something had to give. The house already had the towering black doors and high-gloss black banister they both liked, so the couple let these details inspire the look. “Plus, we already owned a black and white rug, a round table with a dark top and a black leather Eames chair, so why not use them?” adds Melanie. Red- and peach-painted walls were redone in shades of light and shadow. Such was the start of what is now the home’s signature black and white colour scheme.
And a little self-reflection went a long way when it came to deciding what to hang on the walls. “Although we appreciate fine art, personal mementoes that connect us to our families matter more,” says Melanie. This realization became the inspiration for the dining room gallery wall. Gathering a few favourite prints, posters and paintings, the designer created a dynamic visual mash-up. The result is a sophisticated yet personal design element. One added bonus? It was totally budget-friendly. “I paired gold-framed heirloom pieces with newer prints in inexpensive white frames to unite the random collection,” explains Melanie. And since not many are forever pieces, she adds or subtracts on a whim. “There are a lot of nail holes in that wall!” she says with a laugh.
In many ways, this ever-evolving approach is a reflection of Melanie’s creativity. “Unlike the homes I design for clients, which are done in one sweep, my house changes constantly. I’ve become incredibly good at moving furniture, which must drive Andrew crazy. This house will never be truly finished,” she says. “And if it ever is, I’ll probably just start over!”
Homeowner and designer Melanie Hay paired her husband’s steel-topped dining table with chairs she bought on Craigslist. “I’ve reupholstered the seats two times already,” she says. Right now, they bear a sophisticated charcoal linen that accentuates the dark walls and striped rug.
“It’s been a bedside table, an end table and a catch- all,” says Melanie of the bar cart she purchased years ago. “Finally, it’s a bar!” The cart is low, however, and the home’s ceilings are very high. To draw the eye upward, she added a painting and a wall-mounted metal stag bust above it.
Melanie scoured big-box stores for large-scale artwork to act as stand-ins for the forever pieces that will eventually accent her living room. That way, she doesn’t have to live with blank walls while she searches for the perfect investments.
The house was built in the early 1900s, but its contemporary fireplace mantel and furnishings achieve an eclectic mix that feels right at home in the space. “If you can’t afford to do a house all at once,” advises Melanie, “then do one room at a time. That way you can afford to invest in key pieces.”
“Decorating one room completely and then carrying that look to the next allows you to really establish a cohesive aesthetic throughout the house,” says Melanie, who started with the living room and finished with the master bedroom, which echoes the rest of the home’s light-meets-dark and modern-meets-traditional themes.
Image by: Donna Griffith | Styling: Christine Hanlon
Hushed tones and plenty of natural light make for a dreamy retreat
When these newlyweds ditched their condo for a house — as so many do — they set their sights upon Toronto’s leafy Summerhill neighbourhood , which they admired for its older homes. The couple found a 2,290-square-foot four-bedroom semi built in the 1930s that fit the bill in terms of age and locale, but it hadn’t been touched since the ’80s.
“It was so dark,” says one of the homeowners, referring to the interior, which was coated in dowdy browns and suffering from tiny rooms and windows, as well as a gloomy kitchen partitioned from the rest of the house. “We needed more light and a large kitchen for my husband, who loves to cook,” she says. Simply put, the house was hardly what you’d call a love nest. So the homeowners enlisted Croma Design’s Ryan Martin and Amy Kent to give their starter house a style transfusion.
“We wanted to create a classically inspired backdrop with clean-lined furnishings and art,” says Amy. The homeowners didn’t want to go too stark or too stuffy, so they settled on a transitional look with bold lashes of black and modern furnishings boasting traditional details. And, of course, they addressed the cramped spaces and lack of light.
To that end, the designers reworked the layout, removing the powder room, relocating the kitchen and expanding the windows at the front and back of the house. “We opened everything up so the light emanating from the new windows and existing skylight would stretch further,” says Ryan.
As for the finer details, near-black accents add striking drama against the palette of soothing greys, blues, browns and whites. “The colours in this home are very subtle, tone-on-tone and easy to live with,” says Amy. “We wanted the house to make an impact as a whole – not for any particular wall or accent to stand out above the rest.”
Whether the homeowners are upstairs lounging in the relaxed media room or downstairs sipping tea in the more formal living area, there is indeed a clear sense of cohesion, which is a hallmark of this home — and what makes it a far cry from its gloomy beginnings.
A dynamic explosion of hexagonal and subway tiles gives the third-floor bathroom edge. The contrasting grout as well as the blackened metal fittings, chair rail and sconces look sharp against the white backdrop.
Watery blues and greys lend a serene painterly feel to the tranquil second-floor family room.
The long and linear print of birch trees (with hand-applied copper leaf) echoes the shape of the low-slung sofa, which is clean-lined to suit the quiet space.
“I loved being able to customize the house to our needs,” says one of the homeowners. “My husband really loves the new kitchen.”