Take a peek inside this renovated schoolhouse.
What better place to spend the winter than in an old schoolhouse in an idyllic rural setting?
Growing up in Toronto and then living in Vancouver for 21 years, Janet Appleton, owner of The Dog Tack Shop, was a devoted city girl with a low-maintenance condo as her dwelling of choice. Then one fateful date, she happened upon a real-estate listing for a converted heritage schoolhouse on eight acres in Schomberg, Ont. "I saw it online and fell completely in love," she confesses. "It was all purple inside with shag carpeting everywhere. Everyone tried to talk me out of it, but I had a vision."
Moving back to Ontario meant being closer to family and many of the craftspeople she works with for her business. So in a lifestyle-changing move, she bought the place, taking possession of the property more than three years ago with her two boxers, Marco and Benny, in tow.
Nestled into eight acres of bucolic countryside, the Old Deacon Schoolhouse is a well-preserved example of a typical rural Ontario schoolhouse.
Although the schoolhouse isn't designated a heritage building, Janet was determined to design the interior with an environmentally aware decor approach that respected its history.
Janet with her two boxers, Marco and Benny, on the steps of the schoolhouse. Many bricks on the home's exterior have children's initials etched into them.
A few boughs of natural greenery adorn the entryway door. Homeowner Janet Appleton has no idea what the numbers at the entrance might have meant but she and her guests love to speculate.
An iron staircase salvaged from Toronto's first telegram building leads to the loft. Janet ripped shag carpeting off its treads to reveal the maker's mark from St.Lawrence Foundry.
Antique books include her great-grandfather's bible and her great-grandmother's hymnal. The bench, marked 1954, was a gift from her grandfather to her mother.
In the main living room, the doors flanking the fireplace mantel are the original boys' and girls' entrances to the school. Stained-glass windows were added in a previous renovation. Janet's mother, Judith, lovingly helped source many of the home's furnishings, including the dark grey Louis-style armchair.
The harvest table in the dining area was one of the many pieces left behind by the previous owners that Janet was able to incorporate into the new design. Huge barn beams were left intact and exposed to lend warmth to the predominantly white interior.
During the winter, Janet decorates with a light touch, utilizing the natural materials found in abundance on her property.
Image: Nicole Cohen
After a series of nips and tucks, a derelict brownstone in Brooklyn, N.Y., reaches its full potential – and then some.
Four years ago, Nicole and Jordan Stein made the trip from the maelstrom of midtown Manhattan to a quiet, leafy street in Brooklyn that, compared with the city, felt downright pastoral. They had come to tour a brownstone as part of an estate sale, and immediately saw its potential despite certain drawbacks.
“I definitely had some trepidation because the house was in extremely rough shape,” says Nicole, who designs fine jewellery she sells through her online Etsy shop, ByNicoleAlexis. Conversely, Jordan, a Montreal-born business consultant and entrepreneur, was confident it could be brought back to life – after all, he had watched his parents successfully transform a beat-up Vermont ranch when he was younger.
“Our goal was to marry classic architecture with a modern aesthetic,” says Nicole, who wanted the interior envelope to look original to the house. Though the idea of gutting the space and blasting out the walls was brought up, it didn’t get far. “We bought a brownstone, not a condo,” says Nicole cheekily. “Sure, we have a narrow hallway and a tiny powder room, and yes, it’s a little quirky, but it’s true to the original home.” So the small rooms remained intact and were slowly brought back to code over the course of a year under their contractor’s exacting eye.
Next up? Christine Dovey, a designer based in Oakville, Ont., who has remotely kitted out homes (via email) from America to Norway, stepped in to apply her signature style: ravishing rooms with traditional architectural details in a modern palette of black and white with bursts of pink; spaces in which provocative contemporary artwork often sits alongside antique furnishings.
To deliver an authentic period look, Christine suggested the homeowners invest in crown mouldings. “Nicole wanted something that looked like it was there originally, so we went with big plaster mouldings as a splurge on the living room ceiling but regular crown throughout,” says Christine. Making sure the interior looked more downtown than Downton, the designer balanced the historic architectural elements with what she calls “a mixed bag of edgy yet elegant furnishings.”
In need of some hand holding a little closer to home, Nicole also worked with local designer Natalie Kraiem, who helped achieve the look by choosing key pieces including the rugs and living room artwork.
The sculptural replace in the eat-in area of this Brooklyn, N.Y., brownstone was in such rough shape, it had to be removed and rebuilt. Above it, the enormous antique filigree mirror that belonged to the previous owners lends romance to the space. “We loved it so much we negotiated it as part of the sale of the house,” says homeowner Nicole Stein.
Dripping with crystal beads, the antique brass basket chandelier was a splurge, but Nicole insists it’s a forever piece. “I’m crazy about it too,” says designer Christine Dovey. “I love how it contrasts the rough-hewn wooden table.” The bespoke kitchen peninsula, with its marble waterfall edge, was also pricey, but Nicole had the fabricator use the scraps to make luxurious window ledges. “Everyone comments on them,” she says.
A blend of vintage- and modern-look furnishings gives the formal living room an eclectic, collected feel. Sculptural retro Alky chairs are a fun contrast to the stiff-backed caned settee. Heavyweight-cotton curtains draw the eye up to the 11-foot- high ceiling. They were originally placeholders, but looked so fabulous that Nicole decided to keep them – proving that you don’t always need to spend a mint on custom drapery.
Inspired by the iconoclastic Mexican painter, Frida is a punchy print that presides over this area of the living room, where a brass Sputnik lamp, oversized mirror and sculptural fireplace surround offer exciting diversions.
Wild! This spotted antelope-print runner gives an unexpected punch, introducing a graphic pattern into the front hall. “It’s classic but edgy,” says Christine.
Show-stopping architectural details on the ceiling of the living room’s media area are period appropriate but were non-existent when the couple bought the brownstone. Nicole tracked down a plaster restoration specialist in Long Island, N.Y., and sent Christine samples to narrow down the options. The installation took a week and was definitely a splurge. “It’s a real art. There is literally someone there with a cotton swab and a fine blade forming everything by hand,” says Nicole.
Give this healthy soup full of delicious greens a try.
A simple and delicious soup recipe that combines good-for-you greens and grains.
This soup is open to all kinds of experimentation. Try adding 2 cups or one 14- to 15-oz can beans, such as cannellini beans, chickpeas or romano beans, with the cooked grains. Or drop a Parmesan rind into the broth while the greens simmer and garnish with more freshly grated cheese. You can also use chopped onion, chopped celery and chopped carrot with or in place of the greens’ stems.
1 Place the grains and salt in a medium pot and cover generously with water. Bring to a boil over high heat; reduce the heat to a simmer and cook until the grains are tender to the bite (from 15 minutes for quinoa to up to 60 minutes for rye kernels). Drain and set aside.
2 If using greens with thick stems like chard or kale cut the stems from the leaves. Trim the stems and finely chop them, then cut the leaves into thin ribbons; keep the stems and leaves separate. If using greens without thick stems, chop the leaves into ribbons or bite-sized pieces.
3 Heat the oil in a soup pot over medium-high heat. Add the stems (if using) and cook, stirring frequently, until they’re soft, about 5 minutes. Add the garlic and stir to combine. Add the chicken broth and cooked grains and bring just to a boil.
4 Add the greens, stir to combine and cook until wilted and tender, just 1 to 2 minutes for spinach, 5 minutes for chard and up to 10 minutes for kale. Season with salt and serve warm with a grind or two of pepper.
Serves: 4 to 5
A condo design featuring traditional details and sculptural furnishings
When Kim Calabrigo moved from a large family home to a condo, she quickly learned that bigger isn't always better.
A peaceful sanctuary in the heart of a downtown core: That doesn’t sound like too tall an order, does it? That’s what Kim Calabrigo sought when she sold her traditional Craftsman-style home in suburbia and moved to a condo in metropolitan Vancouver. Bringing no furniture with her, she was truly starting anew.
Kim’s first-ever solo home purchase offered her the opportunity to decorate exactly as she pleased. “I wanted a tone-on-tone look, mixing classic and modern elements with an edge,” she says.
Coming from a big traditional 4,200-square-foot home and moving to a smaller builder-basic 1,100-square-foot two-bedroom condo, Kim found space planning challenging. She wanted to maintain the most floor space possible while maximizing seating so she could entertain friends and family as easily as she used to.
Homeowner Kim Calabrigo's decorating wish list included sculptural furnishings, soft pink accents and traditional details.
To maximize seating in her new condo, Kim had a nine-foot-long sofa designed to run the length of the living room wall.
Opting to put a chaise against the living room's floor-to-ceiling windows keeps sightlines open and offers Kim a comfy place to take in the picturesque view with her morning cup of tea.
Though the space is open, the dining area is easily delineated by its standard banquette and oversized pendant light featuring white and peach beads and a rope-wrapped frame. "At night, the diamond motif casts beautiful shadows on the walls and ceiling," says Kim.
"I've embraced the less-is-more aesthetic and added interest by mixing old and new, shiny and matte, smooth and textured, organic and clean lined," says Kim. "I don't depend on bold colours and patterns."
Femininity reigns in the master bedroom, from the tall tufted headboard and layered wrinkled linens to the mirrored nightstands and petite vase of flouncy pink peonies. Massive windows mean that Kim can watch the sun set from the comfort of bed. Does it get any better than that?
In the master bedroom's built-in office nook, sparkly silver wallpaper subtly offsets the layers of cream, white and gold on the shelves. The palette is echoed in the frameless print of an 18th-century Venetian palazzo ballroom, resulting in a vignette that's the perfect mix of new world and old.