A kitchen boasting restaurant-design pedigree
Trendy meets traditional in this family home built from scratch.
Homeowner Tanya Krpan (pictured here) saved on accessories by loading the family room sectional with an assortment of ready-made toss cushions.
Tanya isn’t afraid to play with negative space, as seen in the home’s grand entryway. “Normally, you’d expect a mirror or big piece of art hanging above the wainscotting,” she says. Leaving the wall blank and layering small pieces on the console allows the millwork to shine.
Black casement windows and decorative accents create contrast in the neutral space. Tanya scored the vintage coffee table when her office was being redecorated.
The family room’s classic-cool mix feels right for a young family.
The kitchen, of course, is the true star of the show. Tanya’s restaurant-design pedigree shines through in the room’s floor-to-ceiling tiles, mix of open and closed storage and high-end appliances. She opted for white Shaker-style cabinetry and warmed up the space with a walnut island and brass hardware statement lighting and fixtures.
Another bistro-inspired touch was her choice of dark honed-limestone tiles for most of the main floor. “The tile grounds the space since there’s an abundance of white everywhere,” Tanya explains. “And it’s proven great for hiding dirt.”
Everything in the Krpans’ home is designed for everyday life and entertaining, from the large sectional in the family room to the round tables in the dining room and the kitchen’s eat-in area. “It’s more social to sit at a round table,” says Tanya. “You see everyone’s faces.”
Cabinets with glass doors allow Tanya to display her favourite serving pieces and special glassware. She had the back of the kitchen cabinets tiled to highlight this focal point of the kitchen.
Tanya and Jure – with their sons, Ivan, 3, and Cruz, 2 – have recently welcomed a baby girl named Belle.
The living room’s crisp white, grey and black scheme gets an energy boost from fresh greenery, pops of pink and plenty of pattern – check out the Moroccan-style rug, the ikat-print and chevron-patterned toss cushions and the graphic stool fabric.
To offset the costs of the more expensive permanent elements, Tanya was meticulous with her decorating budget. She incorporated secondhand pieces, such as the family room coffee table, and sourced inexpensive art for the living room mantel. Affordable colourful accessories add youthful edginess to the living spaces. “I love the femininity that the splashes of pink add to the living room and family room,” she says. “Plus, by the time I got to the decorating, I was living with three boys!”
In the dining room, Tanya likes the juxtaposition of the modern Sputnik-inspired chandelier with the traditional coffered ceiling. The artwork was a DIY project Tanya and Jure painted together on her 30th birthday.
Though this house has been well loved for years, there’s a sequel in the works: Tanya and Jure are in the process of building a new home. “We’ll keep some of the same elements but go a little more modern in the kitchen,” says Tanya. We’ll definitely stay tuned.
Two styles combine to create this gorgeous farmhouse retreat.
Designer Viki Mansell blends contemporary and rustic styles with tons of texture and original artwork to create a fabulous farmhouse retreat.
Viki Mansell has an indisputable take on artwork in the home: “You can have beautiful design, but if you have a ghastly piece of art, that’s all anyone will look at.” It’s a conviction reflected in her two Toronto home furnishing stores, Absolutely and Absolutely North, which, in addition to offering furniture and decorative accessories, feature a range of artwork, from photographs and paintings to lithographs and drawings. “Most people are confident when picking out paint colours and furniture,” says Viki, “but few train their eyes for buying art – especially when it’s for a farmhouse.” The farmhouse referred to here belongs to one of Viki’s clients, an avid art collector, who enlisted the designer to transform a turn-of-the-century rural property into a picture-perfect retreat.
Situated north of Toronto, the 3,600-square-foot brick house was definitely in need of some serious loving care, but fortunately, its original floor plan required little finessing. So while the space was gutted to remedy old electrical, insufficient insulation and dated finishes, the staircase remained in its original position, and wherever possible, other features – such as the hardwood flooring upstairs, all the interior doors and the tongue-and-groove ceilings in the kitchen and dining room – were kept intact. Viki replaced the downstairs flooring, which couldn’t be saved, with butternut planks sourced and prepared by an arborist. The only structural changes were the addition of a fireplace flanked by French doors in the living room and the repositioning of an upstairs wall. “We siphoned off square footage from one of the three bedrooms to increase the size of the second-floor bathroom,” says Viki.
Once renovated, the house was ready to receive its artistic flourishes. “My vision was to maintain the farmhouse’s structural integrity while infusing it with a modern rustic overlay,” says Viki. This vision was inspired by the home’s setting. “The palette was drawn from the surrounding countryside, so we highlighted the neutral walls with furnishings in caramel, burnt orange and maple red.”
Viki’s choice of furniture amplifies the contemporary mood. “Comfort was a priority, but the furniture is tailored – there’s no overstuffing or rolled arms, just the simplicity of the lines,” she says. It’s a simplicity that extends to the windows on the main level, which were purposely left unadorned. “The homeowner didn’t want window coverings to distract from the beautiful views outside and the artwork on the walls.” It’s apparent that art is an essential design element, as it’s displayed everywhere from the dining and living rooms to less expected spots like above the bathtub and in the mud room. “While the artwork would look great anywhere, it truly complements this space,” says Viki. “It belongs here.” There’s no debating that.
“In the living room, I wanted to create a convivial sitting area focused on the fireplace,” says designer Viki Mansell.
The bucolic surroundings inspired Viki’s approach to the farmhouse’s palette and design.
Custom made from butternut, the living room sideboard features a black powder-coated steel base that ties in with the TV and the interior door, which Viki had painted black.
A 19th-century carpenter’s bench is used as a console and styled with modern pieces like a Tizio task lamp and Rothko poster in the mud room.
The kitchen, featuring rift-cut oak veneer-fronted cabinets, limestone countertops and a hand-applied plaster backsplash, has a simple charm belying its luxury.
In the dining room, a wooden trestle table combined with Italian leather chairs and a graphic light fixture capture the contemporary farmhouse aesthetic.
The living room’s slate-fronted fireplace encapsulates Viki’s take on turn of the century meets contemporary. “The mantel has a pared-back design, yet it’s crafted from 19th-century pilasters,” she says. The lithograph above the fireplace is by Spanish artist Antoni Tàpies.
A bathtub surround and vanity made of 150-year-old pine warm up the all-white second-floor bathroom.
The antique rug was the jumping-off point for the master bedroom. “I wanted the room to be cozy, so I chose a warm red fabric for the headboard and bedskirt,” says Viki.
A mix of textures lends interest to the upstairs hallway; the art by Ian Gray adds colour.
How to: Paint outdoor furniture
When undertaking a DIY project, there are usually a few things to consider. Add tempermental weather to the list and suddenly that little list has multiplied. How do you prepare your furniture for painting? What type of paint do you use? How does it differ for different types of material?
Though the process of painting outdoor furniture may seem daunting now, the best way to go about a DIY job is to be prepared. We talked to an expert at Canadian Tire to do just that. Michael Bache, Category Business Manager at Canadian Tire, shares his prepping and painting how tos to help put your DIY nerves at ease.
1 What supplies will you need for prepping and painting?
Depending on the state of the furniture (e.g. new wood, old plastic, painted metal, painted wood) and the type of paint chosen, a variety of items should be considered.
If using brush-on paint, consider using a primer before applying a new fresh coat of colour. When priming your furniture, make sure to use a good quality paintbrush and rags or drop cloths for clean-up. However, if you're using Krylon® Fusion™ no primer is required.
If repainting a metal or wood surface that has loose peeling paint, it must be removed for best adhesion. You can use sandpaper, steel wool, wire brush, scraper, or a stripper. You may require a tack cloth to clean up dust residue when sanding. If sanding a latex paint, a simple damp rag will work just fine.
2 Do these steps differ when prepping different materials, such as metal, plastic, wicker or wood?
Yes. Some products don't require primer, saving you a prep step. Using an aerosol is a benefit, too, as you also save a step in the prep. It generally dries faster and doesn't require clean-up since no paint brushes are involved. Even better, aerosols tend to give a factory style, air brush finish when applied properly, as opposed to a brush-on paint.
Bare wood generally requires a primer to seal the wood prior to painting as the surface is porous. The primer is used to provide a nice, smooth finish. Krylon Dual saves a step on both bare wood and metal since it primes and paints in one easy step. This saves time and allows people to have more time enjoying their furniture and less time prepping it!
3 What type of paint should you use for outdoor furniture?
Always follow the directions on the label for specific product use. This will ensure proper adhesion to your surface.
Plastic patio furniture should only have a paint specifically designed to adhere to plastic and hard-to-bond surfaces. Many general purpose paints can adhere to most surfaces except plastic.
For wicker or rattan, spray paints tend to make a nicer finish and easily gets into the grooves. Muskoka chairs are also easier to paint when using an aerosol as opposed to a paint brush. Now there's even an aerosol wood stain by Krylon. Spray stains make fast work of Muskoka chairs and planters - no brushes to clean up either.
5 What about rust prevention?
Paint designed especially for metal surfaces tends to add rust protection into the paint - make sure the paint says "rust proofing" or "rust inhibiting".
As our climate changes, U.V. rays are also a consideration - they're hard on our skin and our exterior patio furniture! Some paints actually have U.V. protection in their paint. This will help protect your finish to resist harsh weather conditions. We suggest storing patio furniture during the fall and winter months when not in use. If space is a problem, a variety of covers and tarps are available to help protect your investment.
6 What are the best painting methods to use?
Much of this is personal preference. However, some surfaces, like wicker and rattan, have a nicer finish when sprayed versus brushing.
7 What kind of finish, if any, should you use?
Most paint companies offer a variety of finishes to choose from - satin, gloss, textured, metallic, hammered, and more. As long as you use an appropriate paint for your exterior surface and follow the instructions, you should achieve the finish you want. The really nice thing about the variety of paints and finishes available is that people can turn "garage sale finds" into treasures. Mixing and matching old and new creates a different and personalized patio set.
8 How many coats should you use
Follow the instructions on the can, however many paints suggest two coats. When painting remember this rule of thumb: Thinner coats are better than thicker coats. Thinner coats dry faster and produce a harder finish.
9 What should you look for in a brush?
Is it the right paint brush for your paint? Oil-based paints generally have different bristles than latex paints. The brush label will specify this.
Is the paint brush the right size to do your project? If you are painting furniture, smaller brushes may be better. Ensure it fits into your paint container.
A roller can be great for large flat surfaces, like a tabletop. This can help reduce brush marks, too!
10 How does climate affect the painting process?
Weather is a big factor. For the most part, if you're getting a sunburn and sweating, it's probably too hot to paint. This will cause the paint to dry too fast. If it's too windy and you're using an aerosol paint, your paint may dissipate before it reaches the surface. Either wait for the wind to die down or use cardboard to build a spray tunnel. Humidity can affect the paint's dry time, which leaves more time for surface imperfections to take place on your finish. In general, 21ºC and about 50% humidity are ideal conditions for painting.
12 Any last tips?
Remember to protect other surfaces if working outside by using masking tape and drop cloths. Most importantly, regardless of your project, remember to always read product labels thoroughly and follow directions.
Image: Nicole Cohen
After a series of nips and tucks, a derelict brownstone in Brooklyn, N.Y., reaches its full potential – and then some.
Four years ago, Nicole and Jordan Stein made the trip from the maelstrom of midtown Manhattan to a quiet, leafy street in Brooklyn that, compared with the city, felt downright pastoral. They had come to tour a brownstone as part of an estate sale, and immediately saw its potential despite certain drawbacks.
“I definitely had some trepidation because the house was in extremely rough shape,” says Nicole, who designs fine jewellery she sells through her online Etsy shop, ByNicoleAlexis. Conversely, Jordan, a Montreal-born business consultant and entrepreneur, was confident it could be brought back to life – after all, he had watched his parents successfully transform a beat-up Vermont ranch when he was younger.
“Our goal was to marry classic architecture with a modern aesthetic,” says Nicole, who wanted the interior envelope to look original to the house. Though the idea of gutting the space and blasting out the walls was brought up, it didn’t get far. “We bought a brownstone, not a condo,” says Nicole cheekily. “Sure, we have a narrow hallway and a tiny powder room, and yes, it’s a little quirky, but it’s true to the original home.” So the small rooms remained intact and were slowly brought back to code over the course of a year under their contractor’s exacting eye.
Next up? Christine Dovey, a designer based in Oakville, Ont., who has remotely kitted out homes (via email) from America to Norway, stepped in to apply her signature style: ravishing rooms with traditional architectural details in a modern palette of black and white with bursts of pink; spaces in which provocative contemporary artwork often sits alongside antique furnishings.
To deliver an authentic period look, Christine suggested the homeowners invest in crown mouldings. “Nicole wanted something that looked like it was there originally, so we went with big plaster mouldings as a splurge on the living room ceiling but regular crown throughout,” says Christine. Making sure the interior looked more downtown than Downton, the designer balanced the historic architectural elements with what she calls “a mixed bag of edgy yet elegant furnishings.”
In need of some hand holding a little closer to home, Nicole also worked with local designer Natalie Kraiem, who helped achieve the look by choosing key pieces including the rugs and living room artwork.
The sculptural replace in the eat-in area of this Brooklyn, N.Y., brownstone was in such rough shape, it had to be removed and rebuilt. Above it, the enormous antique filigree mirror that belonged to the previous owners lends romance to the space. “We loved it so much we negotiated it as part of the sale of the house,” says homeowner Nicole Stein.
Dripping with crystal beads, the antique brass basket chandelier was a splurge, but Nicole insists it’s a forever piece. “I’m crazy about it too,” says designer Christine Dovey. “I love how it contrasts the rough-hewn wooden table.” The bespoke kitchen peninsula, with its marble waterfall edge, was also pricey, but Nicole had the fabricator use the scraps to make luxurious window ledges. “Everyone comments on them,” she says.
A blend of vintage- and modern-look furnishings gives the formal living room an eclectic, collected feel. Sculptural retro Alky chairs are a fun contrast to the stiff-backed caned settee. Heavyweight-cotton curtains draw the eye up to the 11-foot- high ceiling. They were originally placeholders, but looked so fabulous that Nicole decided to keep them – proving that you don’t always need to spend a mint on custom drapery.
Inspired by the iconoclastic Mexican painter, Frida is a punchy print that presides over this area of the living room, where a brass Sputnik lamp, oversized mirror and sculptural fireplace surround offer exciting diversions.
Wild! This spotted antelope-print runner gives an unexpected punch, introducing a graphic pattern into the front hall. “It’s classic but edgy,” says Christine.
Show-stopping architectural details on the ceiling of the living room’s media area are period appropriate but were non-existent when the couple bought the brownstone. Nicole tracked down a plaster restoration specialist in Long Island, N.Y., and sent Christine samples to narrow down the options. The installation took a week and was definitely a splurge. “It’s a real art. There is literally someone there with a cotton swab and a fine blade forming everything by hand,” says Nicole.