This beautiful bathroom has a classic, luxurious aesthetic.
This beautiful bathroom has a classic, luxurious aesthetic.
A handsome muted palette and lots of marble gives this master ensuite its sophisticated charm
Thinking outside the proverbial bathroom box added undeniable wow factor to this timeless master ensuite, part of an addition the homeowners built onto their 1940s Toronto abode a year ago. Designer Cameron MacNeil, who was involved with the entire house renovation, eschewed a typical bathroom layout by enclosing the tub and shower in one area. “It’s nice to be able to keep both close to the window for natural light,” says Cameron. Streamlined elements, a handsome grey and white palette and an abundance of marble enhance the space’s classic, luxurious aesthetic.
Placing the vanities – one for him, one for her – on opposing walls works perfectly with this room’s wide, rectangular shape.
Combining the under-mounted soaker tub and spacious shower in one glass-enclosed wet room takes up less space than having these elements in separate spots. For privacy, designer Cameron MacNeil had the window’s glass frosted and added a roman shade in a pretty blue hue, which picks up the cool undertones of the tiles throughout the bathroom.
The faux-bamboo mirror lends a decorative touch.
The vanities boast a dresser-like appearance and offer tons of storage. “It’s very convenient after taking a bath,” says one of the homeowners. “We put towels in there and even clothes, so we don’t have to walk around looking for things like pyjamas.” the drawers have a slim shaker-style profile, and the glass and chrome pulls add a modern flair. The flower-like mosaic marble floor injects a graphic element and provides an alternative to the typical hexagon pattern.
In the tub and shower area, the walls are lined with six-by-12-inch marble tiles – cut from 12-by-12-inch ones – laid in a brick pattern. they’re a little bigger than your standard subway tiles, says Cameron. the white Caesarstone tub surround contrasts the marble and ties in with the vanities’ countertops.
Tour this lovely cottage on Lake Simcoe!
A designer lends her expertise to help a couple resolve a colourful debate over the scheme for their family cottage.
"He wanted dark tones and a woodsy Aspen vibe. I wanted everything white with clean lines." The “he” referred to is the husband, the “I” speaking is the wife, and in terms of their decor preferences for this new-build 4,900-square-foot cottage overlooking Lake Simcoe in Innisfil, Ont., they were clearly at odds. But the Toronto-based couple, who has a seven-year-old daughter, a five-year-old son and a Samoyed puppy, did agree on one thing: The design had to be practical. And after many reassurances on the wife’s part that her vision could be inviting and relaxing, she says, “My husband eventually gave me free rein. I wanted a gorgeous unfussy space that was easy to maintain.”
To get the look, she turned to Lidia van Zyl, a designer based in Barrie, Ont., who’s well known for decorating waterfront properties in the area. “When I was hired in 2014, the cottage was in its planning stage,” says Lidia. “This allowed us to pore over the plans and confirm almost every detail before the walls went up.” The walls themselves played a crucial role in setting the tone for the space. “Honouring the husband’s preference for a traditional look, I incorporated shiplap into the mix,” says Lidia. The wooden boards, which were most often used in the construction of homes, were applied horizontally in the kitchen, powder room, foyer and master bedroom. “Shiplap, even when painted white, provides a rustic contrast to drywall and has an informal feel that really adds to the casual cottage vibe,” says the designer.
While the scheme may be all white, it’s anything but stark. “The key to decorating with white is to use different shades of it,” says Lidia. “If you look closely, you’ll see the walls are a crisp white, while the beams are coated with a warmer shade.” Wide-plank pale hickory flooring completes the airy backdrop, which Lidia chose to punctuate with bold hits of black. “I love contrast, so I added black accessories to almost every room,” she says. Lidia extended this theme to the furniture as well and, with the kids and puppy in mind, paid specific attention to practicality. “The grey sofas in the living room are covered with indoor-outdoor fabric, so they’re stain resistant and easy to clean,” she says. “And some of the pieces, such as the living room coffee table and foyer console, are crafted from steel, so they’re pretty much damage-proof.” She also introduced a few well-placed antiques throughout the cottage to create interesting tension between old and new.
The 18-month process of building and decorating netted a year-round family retreat that Lidia describes as “refined but rustic.” And even though the wife had total control, she did make an effort to include her husband – sort of. She says: “He really wanted dark floors, but even he conceded the light ones looked better. So I let him think he helped with that decision in a roundabout way. Now we’re all happy!”
Accessories like the rope-hung mirrors and the lantern-style pendant lights make this practical space feel decorated. “I don’t like to take risks when decorating,” says one of the homeowners, “but I did want to mix things up in the kitchen so it didn’t read as plain.”
Designer Lidia van Zyl played the natural tones of wood and stone against sleek black accents to create character in the living room. The tall armoire holds things like games, books and blankets, while the bare floor, a practical option, is easy to clean. A trio of metal sculptures above the reclaimed wood mantel is a departure from the expected mirror or artwork.
In the foyer, the staircase’s natural wood handrail and treads were a purposeful choice. “If we had painted them black, it would have drawn the eye up the stairs as opposed to straight through the cottage to the lake,” says Lidia.
A mix of neutral tones creates subtle depth in the dining area. “The table and chairs appear white at first glance, but they’re actually a soft shade of grey,” says Lidia. the chandelier, painted white to downplay its ornate shape, illuminates everything from meals to crafts.
“This cottage always makes me smile,” says one of the homeowners. “It’s an amazing feeling to open the front door to beautiful surroundings.” the stone skirting – a concession to the aspen look the husband wanted – ties in nicely with the herringbone brick walkway.
The artful arrangement of dark-hued antiques in an all-white area of the living room makes a graphic statement. the antlers are a family heirloom.
“I love a white kitchen because I don’t like distractions when I’m cooking,” says one of the homeowners, “and I can also see what needs to be cleaned.” low-maintenance Caesarstone countertops and a glossy tiled backsplash on the range wall make cleanup even easier. the massive island is outfitted with cupboards that hold cottage necessities, such as candles, batteries and a tool kit.
While the silhouette of the chandelier in the master bedroom is traditional, its wooden beads give it an earthy appeal that suits a cottage. the wicker basket, sisal rug and rustic artwork (it’s made of wood and says “I Love Us”) echo that earthiness, which is tempered by the black furniture.
Hooks and baskets are enough to keep the mud room in order since the basement has ample storage. The built-in bench always comes in handy.
Like the rest of the cottage, the powder room is energized with hits of black. “I love the graphic mosaic-look floor here,” says Lidia. “It’s actually 24-by-24-inch tiles, and they have just the right amount of pattern for a small space.” Vintage racquets used as informal artwork perfectly fit the laid- back vibe of this family retreat.
A kitchen with subtle contrasts and country character.
Designer Ali Budd gives a Toronto couple the best of both worlds: a family- (and dog-) friendly home that boasts modern sensibility as well as country flair.
When the couple enlisted Ali Budd, the designer asked Michele to provide photos of what she loved and didn’t like. A binder full of clippings verified that Michele prefers clean lines and all things cottage. “The challenge was giving them something that feels fresh and contemporary and appropriate for the city but at the same time has that cottagey country vibe,” says Ali.
An addition on the back of the house allowed homeowners Michele Foster and Aaron Harlang to expand the small kitchen, which now features an eat-in area with a child-friendly faux-leather-upholstered banquette. To enhance the room’s visual flow, the table was made from the same quartz as the countertops. The lantern-style pendant light complements the kitchen’s modern-country aesthetic. “To me, a lantern is quintessentially country, but this one is done in a more contemporary style,” says designer Ali Budd.
Painting the island pale grey gives the all-white kitchen a distinctive touch. The black metal pendant lights and farmhouse-style stools lend contrast and country character.
The inset marble mosaic backsplash tiles surrounded by decorative tile trim create a pretty focal point above the range in the kitchen. “I used the same marble as the subway tiles so it wouldn’t look too busy,” says Ali. Glass-fronted doors add airiness and break up the expanse of white cabinetry.
Opening up the main floor was the first step in creating an airy, functional space for the young family. And an 800-square-foot three-storey addition provided ample room to expand the small, outdated kitchen. “I would periodically use our oven for storage before,” says Michele. “We also had a little table that only sat two people.” Now the kitchen boasts a large eat-in area defined by a built-in banquette, which seats about five people and offers plenty of drawer space.
The kitchen’s eat-in area was the perfect spot to subtly inject a bit of red. “Michele wanted to add it somewhere but was afraid of committing to it,” says Ali. “So I thought that was a great place to put in a little pop because it’s not front and centre.”
Durable indoor-outdoor striped fabric covering the family room’s armchairs adds a bit of whimsy and fun. The custom-made barnboard coffee table is both rustic and polished.
That same rustic-meets-clean-lined aesthetic is carried throughout the main floor. In the dining room, a polished live-edge black walnut dining table is paired with classic linen-upholstered chairs. The family room is designed for lounging, with a sleek sectional and barnboard coffee table. All textiles, including the striped armchair fabric, pass the pug-hair test. “I tested about 20 fabric samples on one of my own pugs to see which showed the least amount of hair,” says Ali.
A bench and rug define the entryway, which is open to the rest of the main floor. Wainscotting along the staircase adds architectural character. “Michele wanted it somewhere, and because there’s not a lot of wall space on the main level, we installed it up the stairs,” says Ali.
A kitchen boasting restaurant-design pedigree
Trendy meets traditional in this family home built from scratch.
Homeowner Tanya Krpan (pictured here) saved on accessories by loading the family room sectional with an assortment of ready-made toss cushions.
Tanya isn’t afraid to play with negative space, as seen in the home’s grand entryway. “Normally, you’d expect a mirror or big piece of art hanging above the wainscotting,” she says. Leaving the wall blank and layering small pieces on the console allows the millwork to shine.
Black casement windows and decorative accents create contrast in the neutral space. Tanya scored the vintage coffee table when her office was being redecorated.
The family room’s classic-cool mix feels right for a young family.
The kitchen, of course, is the true star of the show. Tanya’s restaurant-design pedigree shines through in the room’s floor-to-ceiling tiles, mix of open and closed storage and high-end appliances. She opted for white Shaker-style cabinetry and warmed up the space with a walnut island and brass hardware statement lighting and fixtures.
Another bistro-inspired touch was her choice of dark honed-limestone tiles for most of the main floor. “The tile grounds the space since there’s an abundance of white everywhere,” Tanya explains. “And it’s proven great for hiding dirt.”
Everything in the Krpans’ home is designed for everyday life and entertaining, from the large sectional in the family room to the round tables in the dining room and the kitchen’s eat-in area. “It’s more social to sit at a round table,” says Tanya. “You see everyone’s faces.”
Cabinets with glass doors allow Tanya to display her favourite serving pieces and special glassware. She had the back of the kitchen cabinets tiled to highlight this focal point of the kitchen.
Tanya and Jure – with their sons, Ivan, 3, and Cruz, 2 – have recently welcomed a baby girl named Belle.
The living room’s crisp white, grey and black scheme gets an energy boost from fresh greenery, pops of pink and plenty of pattern – check out the Moroccan-style rug, the ikat-print and chevron-patterned toss cushions and the graphic stool fabric.
To offset the costs of the more expensive permanent elements, Tanya was meticulous with her decorating budget. She incorporated secondhand pieces, such as the family room coffee table, and sourced inexpensive art for the living room mantel. Affordable colourful accessories add youthful edginess to the living spaces. “I love the femininity that the splashes of pink add to the living room and family room,” she says. “Plus, by the time I got to the decorating, I was living with three boys!”
In the dining room, Tanya likes the juxtaposition of the modern Sputnik-inspired chandelier with the traditional coffered ceiling. The artwork was a DIY project Tanya and Jure painted together on her 30th birthday.
Though this house has been well loved for years, there’s a sequel in the works: Tanya and Jure are in the process of building a new home. “We’ll keep some of the same elements but go a little more modern in the kitchen,” says Tanya. We’ll definitely stay tuned.