Take a tour of this gorgeous family cottage on Lake Simcoe.
Designer Jessica Waks gives this family's second cottage its own unique flair, creating a spot to accommodate not only guests but also generations to come.
Nudged awake by the sweet smell of fresh cinnamon buns wafting from the kitchen, sleepy family members lumber downstairs, along the way catching sweeping views of serene Lake Simcoe – calm and quiet before the afternoon action takes hold. It’s a common Sunday scene at this Innisfil, Ont., cottage, which is peaceful in the morning until everyone gets up and silence gives way to animated chit-chat and laughter. Often, it’s not just the occupants of this abode in attendance, but the next-door neighbours as well – after all, they’re family, too. The homeowners, a Toronto couple with four adult daughters and two toddler grandchildren, weren’t planning on purchasing a new place – they bought a cottage only five years ago (featured in Style at Home’s July 2013 issue) – but when this 7,000-square-foot three-storey structure directly next door to the first became available, the owners decided to take advantage of the unique opportunity to keep their rapidly expanding family together on these adjacent vacation properties. To make the cottages look cohesive, they rehired designer Jessica Waks – Style at Home’s former design editor – of Jessica Claire Interiors, who had perfectly appointed their first place. “The homeowners wanted the spaces to have their own identities but to also look unified,” says Jessica, discussing how she took the nautical tone of the first property and layered a more country feel into the second. “I used a refined rustic aesthetic to temper its grand architecture, which boasts a spacious foyer and formal principal rooms,” she says.
Jessica was thinking Nantucket rather than classic Canadiana (“it’s more in keeping with the beach locale,” she says) when she rescued the dark and dated interior from its 1980s time warp. The most notable offences? Upholstered doors, inexplicable wall cut outs, tacky floral wallpaper (even on the ceiling in some rooms), mismatched flooring (including fruit-patterned tiles and pink-stained oak), heavily swathed valances, forest green toilets and sinks and a bizarre balcony that jutted into the living room from the second floor. In other words, the cottage called for a complete overhaul. So Jessica started fresh in almost every room, smoothing out the architectural oddities and replacing the flooring with dark-stained oak hardwood, which contrasts the newly white walls throughout – a timeless and cohesive envelope for the elegant nautical look.
Creating a furniture plan for the grand living room was tricky because it has so many points of entry,” says designer Jessica Waks. “Not only did it need to seat a lot of people, but it also had to look good from all angles.” Jessica cleverly selected items like the blue swivel armchairs that can face the central sitting area, the fireplace or the view (win-win-win)!
To make a statement in the foyer, Jessica set visually interesting pieces like the vintage spool-legged console with a curvy linen-upholstered settee against a simple, traditional pedestal table. The jug of maple branches is a nod to the cottage’s sylvan surroundings.
Above the console in the great room, the designer framed and hung a simple grid of antique Simcoe county maps. Believe it or not, the stunning console was a Craigs List purchase. “I love find ing preloved pieces online, at markets and at consignment stores – there are such gems to uncover,” says Jessica, who skilfully pairs these secondhand scores with new custom items.
Meals are often served alfresco with stunning views of Lake Simcoe on the side. To visually connect the two properties, Jessica chose the same outdoor dining furniture for this space as she did for the other cottage next door. “I love how the teak’s grey stain and toss cushions match the stone work and siding of the home’s exterior,” she says.
“The windows in the dining room look out to the front and side of the property,” says Jessica, “so to make up for the lack of lake views and to add visual interest, I chose a charming paisley wallpaper.” The blue-grey tone of the print perfectly matches the original slate fireplace surround.
In the kitchen, the white beadboard cabinetry offers a light and airy country look that’s grounded by darker elements, such as the leathered black granite perimeter countertops and slate-look floor tiles. The wide butcher block-topped island provides ample space for the homeowners, who are avid cooks, to prep meals for their large family.
A pretty patterned wallpaper distracts from this powder room’s awkward angles. Using the space’s drawbacks to her advantage, Jessica leaned a vintage wooden ladder against the wall to hang towels for guests.
The third-floor “bunkie” boasts the most coveted sleeping area in the house: the queen bed in the window niche overlooking the lake. “You can see the sunrise from this spot,” says Jessica. Nautical buffalo-check drapery offers sleepers privacy from the rest of the room.
“As a decorator, I love the strong sense of symmetry that comes from a set of twin beds,” says Jessica, who had these hard-to-find spindle-framed beds for one of the rooms shipped from the US. “I like how they stand out against the wallpaper,” she says. “You can really appreciate the spool detail.”
These Danish open-faced sandwiches from The Natural Food Kitchen make a great lunch, or if made smaller can become lovely canapes.
1 Place the sliced red onion in a bowl with the red wine vinegar. Leave to pickle and colour for at least 30 minutes.
2 Place the new potatoes in a saucepan of lightly salted water and bring to a boil. Simmer just until tender, about 10 minutes depending on the size of the potatoes (a sharp knife should glide in without much resistance); drain and cool. Slice the potatoes and the avocado into 1/2"-thick slices.
3 Spread a thin layer of mayonnaise on each slice of bread. Top 2 of the bread slices with layers of potato and avocado, and sprinkle with a little sea salt and black pepper.
4 Spoon some of the remaining mayonnaise across the centre of each slice of bread, then place the watercress on top of the line of mayonnaise.
5 Arrange a few slices of gherkin on top and scatter with some of the pickled red onion and radish slices. Finally, sprinkle with the chives.
6 For the other 2 slices of bread, first use a vegetable peeler to shave the asparagus spears lengthwise into thin ribbons. Place the smoked salmon on the bread and spoon the remaining mayonnaise on top. Curl the shaved asparagus with your fingers and place on top, and finally finish with some dill.
7 Season with a sprinkle of sea salt and black pepper and serve immediately.
1 Place all the ingredients except the olive and sunflower oils in the bowl of a food processor.
2 In another small bowl, stir together the olive and sunflower oils. With the processor running, slowly add the combined oils, a little at a time, until the mixture begins to emulsify and come together. Once this happens you can add the oil a bit faster, but don’t be tempted to pour it in too quickly or it will split. (Have a little cup of boiling water ready in case this happens, as a few drops added in when it is looking like it might split usually brings it back together.)
3 When all the oil is blended in to the mixture, taste, and adjust the seasoning with a little more lemon juice and salt if necessary.
4 Cover and refrigerate until needed.
Makes: 3 cups
A kitchen boasting restaurant-design pedigree
Trendy meets traditional in this family home built from scratch.
Homeowner Tanya Krpan (pictured here) saved on accessories by loading the family room sectional with an assortment of ready-made toss cushions.
Tanya isn’t afraid to play with negative space, as seen in the home’s grand entryway. “Normally, you’d expect a mirror or big piece of art hanging above the wainscotting,” she says. Leaving the wall blank and layering small pieces on the console allows the millwork to shine.
Black casement windows and decorative accents create contrast in the neutral space. Tanya scored the vintage coffee table when her office was being redecorated.
The family room’s classic-cool mix feels right for a young family.
The kitchen, of course, is the true star of the show. Tanya’s restaurant-design pedigree shines through in the room’s floor-to-ceiling tiles, mix of open and closed storage and high-end appliances. She opted for white Shaker-style cabinetry and warmed up the space with a walnut island and brass hardware statement lighting and fixtures.
Another bistro-inspired touch was her choice of dark honed-limestone tiles for most of the main floor. “The tile grounds the space since there’s an abundance of white everywhere,” Tanya explains. “And it’s proven great for hiding dirt.”
Everything in the Krpans’ home is designed for everyday life and entertaining, from the large sectional in the family room to the round tables in the dining room and the kitchen’s eat-in area. “It’s more social to sit at a round table,” says Tanya. “You see everyone’s faces.”
Cabinets with glass doors allow Tanya to display her favourite serving pieces and special glassware. She had the back of the kitchen cabinets tiled to highlight this focal point of the kitchen.
Tanya and Jure – with their sons, Ivan, 3, and Cruz, 2 – have recently welcomed a baby girl named Belle.
The living room’s crisp white, grey and black scheme gets an energy boost from fresh greenery, pops of pink and plenty of pattern – check out the Moroccan-style rug, the ikat-print and chevron-patterned toss cushions and the graphic stool fabric.
To offset the costs of the more expensive permanent elements, Tanya was meticulous with her decorating budget. She incorporated secondhand pieces, such as the family room coffee table, and sourced inexpensive art for the living room mantel. Affordable colourful accessories add youthful edginess to the living spaces. “I love the femininity that the splashes of pink add to the living room and family room,” she says. “Plus, by the time I got to the decorating, I was living with three boys!”
In the dining room, Tanya likes the juxtaposition of the modern Sputnik-inspired chandelier with the traditional coffered ceiling. The artwork was a DIY project Tanya and Jure painted together on her 30th birthday.
Though this house has been well loved for years, there’s a sequel in the works: Tanya and Jure are in the process of building a new home. “We’ll keep some of the same elements but go a little more modern in the kitchen,” says Tanya. We’ll definitely stay tuned.
Image: Stacey Brandford / Styling: Christine Hanlon
Nest maker, know thyself. Here’s how one designer used self-reflection and simplicity to do up her Toronto Victorian.
“There are thousands of inspiring ideas out there,” says designer Melanie Hay, referring to the wellspring of online home decor images, blogs and shops. “You can literally research for months. But in the end, the best design is born of self-discovery. The more you understand who you are and how you live, the better the odds that the rooms you create will be rooms that you love.”
Melanie should know. When she and her husband, Andrew, an entrepreneur, purchased a tall, narrow Victorian in Toronto’s Annex neighbourhood about four years ago, they were two people without a plan – but with about 3,000 square feet of empty space. Needless to say, to a designer like Melanie, this blank canvas meant instant inspiration overload. “My mind was swimming with decorating schemes,” she recalls. “Deep down, though, I knew Andrew and I are nesters, and when we walked in the door, we would want to come home to a space that echoes our life stories.” This is where her approach to decorating the house started.
But it was not as easy as it sounds. “From the beginning, I had to acknowledge that Andrew and I don’t share the same taste,” she says. Melanie loves white; Andrew prefers dark wood. Something had to give. The house already had the towering black doors and high-gloss black banister they both liked, so the couple let these details inspire the look. “Plus, we already owned a black and white rug, a round table with a dark top and a black leather Eames chair, so why not use them?” adds Melanie. Red- and peach-painted walls were redone in shades of light and shadow. Such was the start of what is now the home’s signature black and white colour scheme.
And a little self-reflection went a long way when it came to deciding what to hang on the walls. “Although we appreciate fine art, personal mementoes that connect us to our families matter more,” says Melanie. This realization became the inspiration for the dining room gallery wall. Gathering a few favourite prints, posters and paintings, the designer created a dynamic visual mash-up. The result is a sophisticated yet personal design element. One added bonus? It was totally budget-friendly. “I paired gold-framed heirloom pieces with newer prints in inexpensive white frames to unite the random collection,” explains Melanie. And since not many are forever pieces, she adds or subtracts on a whim. “There are a lot of nail holes in that wall!” she says with a laugh.
In many ways, this ever-evolving approach is a reflection of Melanie’s creativity. “Unlike the homes I design for clients, which are done in one sweep, my house changes constantly. I’ve become incredibly good at moving furniture, which must drive Andrew crazy. This house will never be truly finished,” she says. “And if it ever is, I’ll probably just start over!”
Homeowner and designer Melanie Hay paired her husband’s steel-topped dining table with chairs she bought on Craigslist. “I’ve reupholstered the seats two times already,” she says. Right now, they bear a sophisticated charcoal linen that accentuates the dark walls and striped rug.
“It’s been a bedside table, an end table and a catch- all,” says Melanie of the bar cart she purchased years ago. “Finally, it’s a bar!” The cart is low, however, and the home’s ceilings are very high. To draw the eye upward, she added a painting and a wall-mounted metal stag bust above it.
Melanie scoured big-box stores for large-scale artwork to act as stand-ins for the forever pieces that will eventually accent her living room. That way, she doesn’t have to live with blank walls while she searches for the perfect investments.
The house was built in the early 1900s, but its contemporary fireplace mantel and furnishings achieve an eclectic mix that feels right at home in the space. “If you can’t afford to do a house all at once,” advises Melanie, “then do one room at a time. That way you can afford to invest in key pieces.”
“Decorating one room completely and then carrying that look to the next allows you to really establish a cohesive aesthetic throughout the house,” says Melanie, who started with the living room and finished with the master bedroom, which echoes the rest of the home’s light-meets-dark and modern-meets-traditional themes.