Take a tour of this cabin-in-the-woods style home.
Image by: Carina Olander
An affinity for the outdoors inspired this Swedish couple to create a bright and snug home with a cabin-in-the-woods vibe.
Karin Nilsson and Kristoffer Green live in a cozy, light-filled 1,600-square-foot home on Sweden’s Gotland island with their baby and dog. The couple carefully chose this house near the village of Hemse as much for its proximity to the Baltic Sea as for its nearness to amenities like schools and recreational facilities. Since moving here, Karin and Kristoffer have created a warm and inviting space, complete with white-painted gypsum plaster walls, black window frames and whitewashed herringbone floors, and outfitted it with natural materials and family heirlooms. Here are the top takeaways from this rustic retreat by the sea.
Nestled beside the fireplace of this Scandi-rustic home is a built-in nook holding firewood. It lends warmth and texture to the white wall and is always stocked to help heat up cool nights spent relaxing on the sofa.
Bright and white with doses of black and organic touches, the entryway sets the decorative theme for the rest of the house. The homeowners cleverly repurposed found items into functional organizers, such as the wooden pallet that was transformed into a radiator cover and the drapery rod they converted into a coat rack using rope and hooks.
Homeowners Kristoffer Green and Karin Nilsson (pictured) make the most of their rural locale, whether they’re sourcing food from the nearby farmers’ market or heading to the beach for a long walk with their dog.
The kitchen’s clean-lined IKEA cabinetry is complemented by edgy industrial accents like the pendant lights and stools. A wooden tongue-and-groove backsplash adds a rustic element that’s in keeping with the rest of the home.
The dining room demonstrates Karin and Kristoffer’s knack for blending old and new, using natural materials and creating interest by contrasting black and white elements. Here, inherited pieces sit alongside secondhand finds and newly purchased accessories and artwork, while the black-painted window frame draws the eye to the exterior view.
The space’s white and black envelope is softened with natural materials, such as wood, stone, leather and hemp. In the dining room, a gnarled branch leaning against a wall looks like an effortless organic sculpture.
Image: Donna Griffith / Styling: Ann Marie Favot
A black and white palette, square-tiled backsplash, shaker-style cabinetry and iconic furnishings blend perfectly in this modern and traditional space.
Armed with a wishlist a mile long, Toronto homeowners Meghan Mann and Mike Shannon took the renovation plunge last year. With the help of designers Vanessa Kwan and Ingrid Oomen of Qummunicate, they transformed their dysfunctional, dowdy kitchen into a stylish dream and fit everything they wanted into its compact 198-square-foot space. The open-concept design now features a work station, an eat-in nook and a peninsula that overlooks the dining area. Its classic-chic look with a contemporary edge not only complements the young couple’s style but also suits the 1910 house’s traditional architecture and its up-and-coming west Toronto neighbourhood’s trendy vibe.
Opening up the 11-by-18-foot kitchen to the rest of the main floor and replacing the back wall with a glass-panelled door and sidelights were the first steps in creating a more airy and light-filled space. The kitchen has a timeless aesthetic, with Shaker-style cabinetry, classic architectural details and a neutral palette, while a few of-the-moment touches, such as the brass hardware and pendant lights, keep it hip. “It’s a brick house with traditional details like beams and mouldings at the front, and we wanted to carry that essence into the kitchen,” says designer Vanessa Kwan.
A banquette serves as part of the casual eat-in area for the couple and their children, Sadie, 6, and Spencer, 2. It features storage in the form of legal-sized filing cabinets, with flush brass pulls that don’t get in the way of dangling feet. Finding a table that fit the space proved challenging, so homeowner Mike Shannon built the base himself and had a piece of glass cut for the top. The Eames chairs are a classic pick, and the chandelier provides sparkle and blends in with all the brass.
The kitchen was designed with family-friendly functionality top of mind: The white quartzite countertops are aesthetically similar to marble but are more durable and require less maintenance; the six-inch-square ceramic tiled backsplash, with its grey grout, is easy to keep clean; and the cork floors are great for kids because they’re soft underfoot and don’t scratch easily. For homeowner Meghan Mann, who works in software sales from home, the desk area (with a lower counter and two pencil drawers) was a must.
The black faucets and window frame above the sink create contrast yet establish continuity with the black-painted door at the back of the room. The dark elements, offering the kitchen a slightly industrial edge, are also a nod to the neighbourhood’s commercial architecture. “The area has a lot of old factory buildings, some converted into lofts or artists’ spaces,” says Meghan. “And they have those steel windows, so we wanted to echo that look in the kitchen.”
Curvy iconic shapes and trendy accents make this kitchen down-right covetable.
Round wood and marble serving board, Indigo, $38.
Michael Thonet beech era stool in Black, Design Within Reach, $365.
Cotton Soiree toss cushion in Natural with feather-down insert, CB2, $63.
Jason Wu for brizo mixed metal solna faucet in Matte Black, Masco Canada, $611.
Brass and glass Luna pendant light with shade in Clear, 12", Schoolhouse Electric, $269 US.
Cowhide Koldby rug in Brown, IKEA, $299.
Image: Stacey Brandford / Styling: Morgan Lindsay
Designer Maggie Burns revises the layout and lightens the palette of her rowhouse to make it feel remarkably roomier.
People love to complain about stairs. "My knees are shot – let's move to a bungalow," they grouse. But not Maggie Burns. I longed for stairs and a lawn," says the energetic 28-year-old designer and Toronto native. The sentiment is completely understandable when you consider she was living in one of those New York City apartments that are so cramped, you practically need a folding toothbrush.
That was 2015, and Maggie had just completed a one-year degree at the esteemed Parsons School of Design and was moving back to Toronto – all while simultaneously launching her own design firm, Maggie Richmond Design. One of the newly minted graduate’s earliest clients? Herself.
She had just purchased a charming century rowhouse in the hip Trinity-Bellwoods neighbourhood near Nadège, a French bakery and a favourite haunt (this girl has her priorities straight). “When I first saw the house, I fell in love with its location and its potential,” says Maggie. “But there was a lot of work to do! The home’s layout didn’t lend itself well to its narrowness.”
At only 10 feet wide and just shy of 1,200 square feet, the two-storey house was palatial by New York standards, but small if Maggie wanted to stretch out and entertain friends. Just the same, it had good bones – and, best of all, the stairs she so desired. The only problem was their location. “They were encased in drywall, so they looked heavy, and they were in the middle of the main floor, taking up almost a third of the space,” she recalls.
Plus, the stairs divided the dining and living rooms into two tiny boxes. So Maggie embarked on a six-month renovation to create a breezy open-concept space. She brightened the home and made it feel spacious with crisp white walls (in place of busy textured wallpaper) and light grey engineered wood floors (replacing dark cork).
In an ambitious effort that ended up costing nearly half her budget, Maggie tore down the staircase and replaced it with a stylishly streamlined version installed at the side of the living room. “The dramatic floating stairs became the focal point,” she says. The new steps also connect to the finished basement – previously a rental apartment that could only be accessed from an outside door.
To accommodate the change, Maggie also reconfigured the second floor, removing a third bedroom and inadvertently exposing a skylight over the stairs. "I've been told it's not a good idea in terms of resale to remove a bedroom, but I had to make way for the stairs," she says. Today, the skylight floods the main floor with light and, together with pale new floors, lends the illusion of more space, making this home an even further cry from her old cramped NYC quarters.
Though small and located at the front door, the living room feels open and airy because of the ultra-edited furniture selection. A low-slung armless sofa, portable wooden side chairs and a small angular side table keep things uncluttered and ease traffic flow.
The galley kitchen was in great shape when Maggie bought the house, so she left it intact. It came with high-end appliances and pretty crystal knobs on the doors. “I kept the original subway tile that runs along the walls, and added pendants [not shown] and pot lights for additional lighting,” she says.
Though it cost 40 percent of Maggie’s overall budget, relocating the staircase made a 100 percent improvement to her home’s layout.
Maggie nearly replaced the dark-hued front door, but decided to keep it after seeing how charming it looked in the space. Her dad created a stained glass window for the transom. “Its copper trim matches elements throughout the main floor,” she says.
A graphic punch of black in the quartet of retro Tulip chairs is emphasized by the splashy artwork. The mirror bounces light around the space and picks up the sheen in the soft grey floors.
A combined washer-dryer in the galley kitchen makes doing a quick load of laundry super convenient.
Relaxation reigns in the subdued bedroom, where a quilt and watery-hued toss cushions suggest a catnap. A glass lamp and monochromatic artwork keep the visual clutter at bay.
Maggie pulled together a light-filled office nook just outside her bedroom. The glossy streamlined desk, slatted rubber chair and casually leaning artwork create an understated vignette. The desk also serves as an extra drop-off spot for her laptop in the evenings – a smart reminder to maintain serene sleeping quarters and keep work separate.
A floating vanity and clean-lined mirror show off the Carrara marble floor and shower wall in the master bath. “Because I don’t have a lot of space – roughly 41 square feet – I had to be careful about the scale of each component,” says Maggie. The pared-back elements lend a serene quality. “It’s my favourite spot in the house,” she adds.
Despite all her hard work, Maggie recently sold her belove rowhouse to move in with her fiancé. And just in case you're curious, the resale value wasn't affected by the removal of a bedroom. To bring even more appeal to the home for the sale (which happened to coincide with our photo shoot), Maggie hired design firm Modern Staging Spaces to help her accessorize . Her house sold in a flash. With style like this, how could it not?
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