Stores We Love
Jul 4, 2008
Shopping in Ontario: Umbra
Stores We Love
Jul 4, 2008
Shopping in Ontario: Umbra
Click to download: Umbra
Buying guide: The truth about thread count
Is there anything better than sliding into a bed laden with good quality sheets? At the end of the day, I can't wait to stretch out under my fresh, soft covers and nestle my face into a good cotton-covered pillow. We spend a third of our lives in bed so quality sheets are key, but how do you get quality for your money? There's no doubt that most consumers believe the higher the thread count, the better the quality, but this isn't entirely true. With the help and expertise of Joanna Goodman, owner of Au Lit Fine Linens, we expose the truth about thread count and what it takes to find quality bed sheets.
What is thread count, really?
Simply put, thread count is the number of threads woven into one square inch of fabric. This number is based on the threads woven horizontally ("weft") and vertically ("warp"). Extra threads can also be woven into the weft threads to increase the thread count. These added threads are called "picks" and are added in the overall count, which is how some sheets end up having thread counts in the thousands. This is why the idea that high counts equal better quality isn't really accurate. Consider this: Joanna says most weavers will say the maximum number of threads that can be woven into one square inch of fabric is 500 to 600. Though the number is arguable and, according to Joanna, "depends on the mill you deal with," it gives you an idea of where the line is between single-ply, unpicked weaves and ones that add threads here and there to bump up the count.
What to look for when buying sheets
Joanna lists three things to look for on the label: if it's Egyptian cotton, where it's woven and, lastly, the thread count. While thread count is a bit misunderstood, the buzz around Egyptian cotton is true. "The very best cotton in the world is grown in Egypt. So Egyptian cotton will be of a better quality," Joanna says. She also recommends pima cotton, which is grown in America, "though not quite as exceptional as Egyptian." When it comes to weaving, however, she swears by the Italians as being the "master weavers of the world" due to their "long tradition of weaving" and use of the best Egyptian cotton. Be sure the label says 100% or pure Egyptian cotton though, otherwise it may only contain a small percentage of the good stuff. As for the thread count, look for a minimum of 200. From there, it's all about preference!
What to avoid when buying sheets
Joanna's one key piece of advice is to watch out for extremely low priced, high thread count sheet sets. A complete sheet set with a high thread count for $100 or less is probably not the dream bargain you think it is. As Joanna believes, "you always get what you pay for." The price tag for bed linens will vary depending on the sheet size and what items you're buying, such as a duvet cover, sheet sets, or pillowcases. "A superior quality 200 thread count queen set (including flat, fitted, two pillowcases), made of Egyptian cotton and woven in Europe, could retail reasonably for about $150-$250," says Joanna.
What do you prefer?
After going through the quality checklist, go with what feels best for you. If you're looking for a durable linen, Joanna recommends any percale from thread count 200 to 800. Percale is any cotton woven with a 200 thread count or higher and will be more durable than a cotton satin of the same thread count. It's also less likely to pill than cotton satin because it has a denser weave. Love the feel of a cotton button down shirt? Joanna advises a crisp, dense 200 thread count percale. Prefer a silkier sheet? Go for a 300 to 600 cotton satin. If you want lighter sheets, Joanna says, a 400 thread count sheet can be soft and light, while an 800 percale would be soft and dense. The higher the thread count, the more likely multiple-ply thread is used or picks are added, making the fabric denser and heavier.
Now you know that quality is not just about the number, so don't let numbers rule your bed! Remember what to look for on the label and be wary of too-low prices for supposedly high quality items. Beyond that, go with what you prefer. Get a good feel of the sheets before buying. Whether you're unzipping the packaging or lying down on a display bed, make sure the fabric feels good against your skin and soon you'll be having sweet dreams!
Find out how to keep your new linens crisp and clean with our tips to whiter-than-white sheets.
How to: Get whiter-than-white sheets
Take a tour of Canadian writer Kelly Oxford's L.A. home.
Celebrated designer Orlando Soria creates a carefree and quirky Palm Springs-style oasis in the canyons for a famous Canadian writer living in L.A.
Few friendships are built solely on decor, but for Orlando Soria and Kelly Oxford, it was certainly the foundation. Having met when he redesigned her Los Angeles office, they seem like a match made in heaven: Orlando, creative director of the design firm Homepolish, is one of the decor world’s funniest Instagrammers, and Kelly became famous for her hilarious and unapologetically sarcastic tweets. Needless to say, the office transformation was marked by not only shared tastes, but also cheeky texts and rapid-fire repartee. So when the Edmonton-born, L.A.-based writer of the bestselling memoir Everything Is Perfect When You’re a Liar – who’s also authored television pilots and movie scripts and appeared in film and on TV with the likes of James Franco and Nicole Richie – moved into a new home with her husband and their three kids, Orlando was the obvious choice to head up its design. “We had such a good time doing Kelly’s office, it was only natural that I do her house as well,” he says. And Kelly’s an easy client. “Half of our texts were about furniture; half were attempts to make each other laugh,” says Orlando, who would send Kelly photos of crazy finds to which she never once replied “Why the heck are you showing me that!?” At times, Kelly even joined Orlando on his flea market furniture hunts. “She’s way better at bargaining than me,” he admits.
Only the main living area needed Orlando’s deft touch, but it presented a challenge for the designer: How would he make the grand all-white room, which gets lots of light from a wall of floor-to-ceiling windows, feel elegant and cozy? Dividing the space into three “rooms” (a dining area, living area and family area) unified by a cohesive colour palette and matching rugs was a clever start. Establishing a cool mid-century Palm Springs vibe – which embraces bright light, bright white and bright accent colours – perfected the look, as did the eclectic elements synonymous with Kelly’s style.
“Kelly loves clean lines and contemporary accessories, but there’s a special place in her heart for vintage kitsch – items that have a bit of humour to them,” says the designer. To that point, there are plenty of cheeky moments throughout the house. Those plastic horses trotting along the bar shelves? “We saw them at a flea market and thought they looked stupid but cool at the same time,” he says. That dining room gallery wall? Kelly and Orlando painted bikinis on the nudes to poke fun at ultra modesty. And the French poster for Hitchcock’s The Birds in the kitchen’s eat-in area? A wink at Kelly’s Canadian heritage. “I guess you guys like things that are French because, um, you know more French than we do?” jokes Orlando. Leave it to a friend to understand the nuances of one’s stylish eclecticism – and the quirky chicness of Kelly. As she says in her memoir, “I like the idea that we can contain our weirdess, but I prefer it when we wear it all over ourselves.” Clearly that holds true for her home, too.
Out of a cavernous room with white walls and a white-tiled floor, designer Orlando Soria created three intimate and cozy spaces – a family area, living area and dining area – and unified them using low mid-century modern-style furnishings, the exact same sisal rug and complementary teal, beige and ivory accent colours.
“Sometimes she has this classic old-school thing going on – like when she wears those retro-look glasses,” says Orlando of homeowner Kelly Oxford (both pictured). “But then she also has this really edgy, funny attitude that’s made her famous.”
Long and narrow, the kitchen’s eat-in area demanded an oval-shaped dining table rather than a round one. Orlando also made the bench himself – with the help of Kelly’s young son, Henry – by drilling industrial hairpin legs into a slab of stained wood and tossing a sheepskin on top. “Every other bench we saw was either too deep or too expensive,” says Orlando.
When Kelly and Orlando saw an orange pouffe at a flea market, they thought the $150 US price tag was steep, considering they’d have to have it re-covered, so they passed on the purchase. “But when we walked by the pouffe later in the day, some girls were admiring it, and we said to each other, ‘If they buy it, we’re going to die!’ It’s funny how you realize you want something as soon as someone else wants it, too,” says Orlando with a laugh. The now-teal pouffe is perfect for the living area. “And we still talk about the time some girls tried to steal it from us.”
A massive sectional was a must for the casual family area, where Kelly, her husband and their three kids, pair of cats and two dogs spend tons of time. This bold blue one (which is 10 feet long on both sides) fit the bill for the family to curl up by the fire or watch TV.
“I like to use a variety of materials in any given space,” says Orlando of his approach to decorating. In the dining area, woven chairs (“there’s something very ‘resort’ about them”) are paired with a wooden table, sheer drapery and a view of the backyard pool. “There are a lot of different elements to enjoy.”
“Built-in bars are so mid-century modern,” says Orlando. this one, which is original to the house, is located across from the dining area. “Back in the 1950s and ’60s, people thought having a bar was super glam, which is cute and kind of hilarious.” But there’s no denying that this drinks station is perfect for parties. Its dark surface lends some contrast to the space, while the architectural stools add a dose of fresh, edgy flavour.
A fresh seaside-chic lake house
This cozy lake house in Port Carling, Ont., boasts a fresh seaside-chic vibe while paying homage to old-school Muskoka.
Nestled on the south shore of Lake Rosseau in Port Carlin, Ont., this 6,800-square-foot six-bedroom house is decorated the way one would dress when visiting: in a crisp Polo Ralph Lauren Oxford shirt and comfortable, well-worn chinos paired with Sperry Top-Siders. It's a timeless look that's coastal, casual and effortlessly chic with a neutral palette at its core.
"The homeowners wanted to capture that warm, windswept lake house aesthetic but with a relaxed, cozy Muskoka feel for their young family of four," says Cory DeFrancisco of Mukoka Living Interiors, who designed and built the home from scratch, finishing in 2013.
Like a friendly smile and a firm handshake, the entryway makes a confident and inviting introduction to the home.
"A lot of old cottages have those tunnelling hallways in their guest cottage or service quarters, and this beadboard wall treatment references that," says builder and designer Cory DeFrancisco.
This small boathouse sunroom is literally right on Ontario's Lake Rosseau: On windy days, you can feel waves crashing up through the floorboards.
"We took up 90 percent of the wall with windows," says Cory of the gorgeous great room, where the ceiling's oak beams guide your eye directly to the view. "The overstuffed sofas are insanely comfortable," he adds. "They're slipcovered in high-quality Belgian linen that gets softer with each wash.
Though the spacious kitchen is crisp, white and polished, simple details, such as the grain of the reclaimed-oak floors and the texture of the brush strokes on the hand-painted cabinetry, keep it humble and homey. "It's a new take on a traditional cottage kitchen, with all the modern amenities," says Cory.
A big weathered farmhouse table paired with slipcovered seating and sophisticated lighting that doesn't block the view equals a dining room with easy elegance. But the best feature of this space is that, with the doors open, you really feel like you're eating alfresco.
Even though this home is grand, the family who lives here wanted an overall feeling of togetherness, so Cory kept it largely open concept.
The west-facing Muskoka room, with wall-to-wall windows, is so bright that it can pull off the charcoal walls. "The darkness acts as an anchor, while the light that shines in highlights the furnishings," explains Cory. The modular sectional is meant for the outdoors (so go ahead, get it wet) and can be reconfigured when company comes to create multiple sitting areas.
The whole master bedroom is very generous, but its sleeping area is quite small. In it, you'll find only an upholstered bed, two small side tables and a 180-degree view of the water.
The large window behidn the free-standing bathtub overlooks a garden and granite. "It's hard to make boulders sound nice," says Cory with a laugh, "but it's a beautiful view."
"All of those elements are, I think, what makes it feel authentic to Muskoka. There's nothing ornate in the whole place," says Cory. And just 35 feet away, in the boathouse, the look is much the same. The palette is almost all white and the dress code is bathing suits - after all, the lake's right there. Take one step out the door, and jump right in. The water's perfect.