Video: How not to give your home a makeover
Video: How not to give your home a makeover
Image: Stacey Brandford / Styling: Christine Hanlon
Nest maker, know thyself. Here’s how one designer used self-reflection and simplicity to do up her Toronto Victorian.
“There are thousands of inspiring ideas out there,” says designer Melanie Hay, referring to the wellspring of online home decor images, blogs and shops. “You can literally research for months. But in the end, the best design is born of self-discovery. The more you understand who you are and how you live, the better the odds that the rooms you create will be rooms that you love.”
Melanie should know. When she and her husband, Andrew, an entrepreneur, purchased a tall, narrow Victorian in Toronto’s Annex neighbourhood about four years ago, they were two people without a plan – but with about 3,000 square feet of empty space. Needless to say, to a designer like Melanie, this blank canvas meant instant inspiration overload. “My mind was swimming with decorating schemes,” she recalls. “Deep down, though, I knew Andrew and I are nesters, and when we walked in the door, we would want to come home to a space that echoes our life stories.” This is where her approach to decorating the house started.
But it was not as easy as it sounds. “From the beginning, I had to acknowledge that Andrew and I don’t share the same taste,” she says. Melanie loves white; Andrew prefers dark wood. Something had to give. The house already had the towering black doors and high-gloss black banister they both liked, so the couple let these details inspire the look. “Plus, we already owned a black and white rug, a round table with a dark top and a black leather Eames chair, so why not use them?” adds Melanie. Red- and peach-painted walls were redone in shades of light and shadow. Such was the start of what is now the home’s signature black and white colour scheme.
And a little self-reflection went a long way when it came to deciding what to hang on the walls. “Although we appreciate fine art, personal mementoes that connect us to our families matter more,” says Melanie. This realization became the inspiration for the dining room gallery wall. Gathering a few favourite prints, posters and paintings, the designer created a dynamic visual mash-up. The result is a sophisticated yet personal design element. One added bonus? It was totally budget-friendly. “I paired gold-framed heirloom pieces with newer prints in inexpensive white frames to unite the random collection,” explains Melanie. And since not many are forever pieces, she adds or subtracts on a whim. “There are a lot of nail holes in that wall!” she says with a laugh.
In many ways, this ever-evolving approach is a reflection of Melanie’s creativity. “Unlike the homes I design for clients, which are done in one sweep, my house changes constantly. I’ve become incredibly good at moving furniture, which must drive Andrew crazy. This house will never be truly finished,” she says. “And if it ever is, I’ll probably just start over!”
Homeowner and designer Melanie Hay paired her husband’s steel-topped dining table with chairs she bought on Craigslist. “I’ve reupholstered the seats two times already,” she says. Right now, they bear a sophisticated charcoal linen that accentuates the dark walls and striped rug.
“It’s been a bedside table, an end table and a catch- all,” says Melanie of the bar cart she purchased years ago. “Finally, it’s a bar!” The cart is low, however, and the home’s ceilings are very high. To draw the eye upward, she added a painting and a wall-mounted metal stag bust above it.
Melanie scoured big-box stores for large-scale artwork to act as stand-ins for the forever pieces that will eventually accent her living room. That way, she doesn’t have to live with blank walls while she searches for the perfect investments.
The house was built in the early 1900s, but its contemporary fireplace mantel and furnishings achieve an eclectic mix that feels right at home in the space. “If you can’t afford to do a house all at once,” advises Melanie, “then do one room at a time. That way you can afford to invest in key pieces.”
“Decorating one room completely and then carrying that look to the next allows you to really establish a cohesive aesthetic throughout the house,” says Melanie, who started with the living room and finished with the master bedroom, which echoes the rest of the home’s light-meets-dark and modern-meets-traditional themes.
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Image: Nicole Cohen
After a series of nips and tucks, a derelict brownstone in Brooklyn, N.Y., reaches its full potential – and then some.
Four years ago, Nicole and Jordan Stein made the trip from the maelstrom of midtown Manhattan to a quiet, leafy street in Brooklyn that, compared with the city, felt downright pastoral. They had come to tour a brownstone as part of an estate sale, and immediately saw its potential despite certain drawbacks.
“I definitely had some trepidation because the house was in extremely rough shape,” says Nicole, who designs fine jewellery she sells through her online Etsy shop, ByNicoleAlexis. Conversely, Jordan, a Montreal-born business consultant and entrepreneur, was confident it could be brought back to life – after all, he had watched his parents successfully transform a beat-up Vermont ranch when he was younger.
“Our goal was to marry classic architecture with a modern aesthetic,” says Nicole, who wanted the interior envelope to look original to the house. Though the idea of gutting the space and blasting out the walls was brought up, it didn’t get far. “We bought a brownstone, not a condo,” says Nicole cheekily. “Sure, we have a narrow hallway and a tiny powder room, and yes, it’s a little quirky, but it’s true to the original home.” So the small rooms remained intact and were slowly brought back to code over the course of a year under their contractor’s exacting eye.
Next up? Christine Dovey, a designer based in Oakville, Ont., who has remotely kitted out homes (via email) from America to Norway, stepped in to apply her signature style: ravishing rooms with traditional architectural details in a modern palette of black and white with bursts of pink; spaces in which provocative contemporary artwork often sits alongside antique furnishings.
To deliver an authentic period look, Christine suggested the homeowners invest in crown mouldings. “Nicole wanted something that looked like it was there originally, so we went with big plaster mouldings as a splurge on the living room ceiling but regular crown throughout,” says Christine. Making sure the interior looked more downtown than Downton, the designer balanced the historic architectural elements with what she calls “a mixed bag of edgy yet elegant furnishings.”
In need of some hand holding a little closer to home, Nicole also worked with local designer Natalie Kraiem, who helped achieve the look by choosing key pieces including the rugs and living room artwork.
The sculptural replace in the eat-in area of this Brooklyn, N.Y., brownstone was in such rough shape, it had to be removed and rebuilt. Above it, the enormous antique filigree mirror that belonged to the previous owners lends romance to the space. “We loved it so much we negotiated it as part of the sale of the house,” says homeowner Nicole Stein.
Dripping with crystal beads, the antique brass basket chandelier was a splurge, but Nicole insists it’s a forever piece. “I’m crazy about it too,” says designer Christine Dovey. “I love how it contrasts the rough-hewn wooden table.” The bespoke kitchen peninsula, with its marble waterfall edge, was also pricey, but Nicole had the fabricator use the scraps to make luxurious window ledges. “Everyone comments on them,” she says.
A blend of vintage- and modern-look furnishings gives the formal living room an eclectic, collected feel. Sculptural retro Alky chairs are a fun contrast to the stiff-backed caned settee. Heavyweight-cotton curtains draw the eye up to the 11-foot- high ceiling. They were originally placeholders, but looked so fabulous that Nicole decided to keep them – proving that you don’t always need to spend a mint on custom drapery.
Inspired by the iconoclastic Mexican painter, Frida is a punchy print that presides over this area of the living room, where a brass Sputnik lamp, oversized mirror and sculptural fireplace surround offer exciting diversions.
Wild! This spotted antelope-print runner gives an unexpected punch, introducing a graphic pattern into the front hall. “It’s classic but edgy,” says Christine.
Show-stopping architectural details on the ceiling of the living room’s media area are period appropriate but were non-existent when the couple bought the brownstone. Nicole tracked down a plaster restoration specialist in Long Island, N.Y., and sent Christine samples to narrow down the options. The installation took a week and was definitely a splurge. “It’s a real art. There is literally someone there with a cotton swab and a fine blade forming everything by hand,” says Nicole.